A Quote by Richard Paul Evans

The depth of love is revealed in its departure. — © Richard Paul Evans
The depth of love is revealed in its departure.
Furman astounded me with his chess depth, a depth which he revealed easily and naturally, as if all he were doing was establishing well-known truths.
Don't love deeply, till you make sure that the other part loves you with the same depth, because the depth of your love today, is the depth of your wound tomorrow.
I had a feeling once about Mathematics - that I saw it all. Depth beyond depth was revealed to me - the Byss and Abyss. I saw - as one might see the transit of Venus or even the Lord Mayor's Show - a quantity passing through infinity and changing its sign from plus to minus. I saw exactly why it happened and why the tergiversation was inevitable but it was after dinner and I let it go.
What I like to call 'journalism of depth' is the media that regards the collective conscience of the masses to be its point of departure. It is the media that believes, as a matter of principle, in the potential capabilities of the people and respects their choices.
Arrival in the world is really a departure and that, which we call departure, is only a return.
Conventional people are roused to fury by departure from convention, largely because they regard such departure as a criticism of themselves.
Lord, You have told me who You are, You have in mercy revealed Yourself to me, I know You to be that blessed 'gift of God' which alone can save and satisfy my soul. The depth and compass of heavenly love are manifested in You, and You have shown me, not my need only, but the sufficiency of Your grace and power to meet it. I am an empty sinner, You are a full Christ!
For it is the suffering flesh, it is suffering, it is death, that lovers perpetuate upon the earth. Love is at once the brother, son, and father of death, which is its sister, mother, and daughter. And thus it is that in the depth of love there is a depth
There is a conceptual depth as well as a purely visual depth. The first is discovered by science; the second is revealed in art. The first aids us in understanding the reasons of things; the second in seeing their forms. In science we try to trace phenomena back to their first causes, and to general laws and principles. In art we are absorbed in their immediate appearance, and we enjoy this appearance to the fullest extent in all its richness and variety. Here we are not concerned with the uniformity of laws but with the multiformity and diversity of intuitions.
The depth and strength of our character is defined by our moral code. People only reveal themselves when they're thrown out of the usual conditions of their lives. That's when the truth of who they are is revealed.
When you meet the man [Brassai] you see at once that he is equipped with no ordinary eyes. And the sharpness of vision and depth of insight are revealed in Brassai's lifelong photographic exploration of Paris - its people, places, and things.
As my wise friend Didi has more than once observed about life's passages, every departure entails an arrival elsewhere, every arrival implies a departure from afar.
With manga, in my art style, I don't do much in the way of techniques to create depth. But even though I don't do depth techniques through my art, I am conscious of depth itself.
For sailors who love the wind, memory is a good port of departure.
To the extent to which you know yourself, and we are all more alike than different, you can know others. When you love yourself, you will love others. And to the depth and extent to which you can love yourself, only to that depth and extent will you be able to love others.
There was a saying that a man's true character was revealed in defeat. I thought it was also revealed in victory.
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