A Quote by Richard Peck

We don't write what we know. We write what we wonder about. — © Richard Peck
We don't write what we know. We write what we wonder about.

Quote Topics

Not write what you know, but know what you write. If you write about a world before, after, or other than this one, enter that world completely. Search it to find your deepest longings and most terrible fears. Let imagination carry you as far as it may, as long as you recount the voyage with excitement and wonder. But this is the most important rule: write the book you most long to read.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
I write what I write in the way that I write it. I'm not being abstract, you know. I'm talking about something that, you know, is a part of my life.
Many poets write books. They'll tell you: Well, I've got my next book, but there are two poems I need to write, one about x, one about y. This is a wonder to me.
When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century.
don’t write out of what I know; I write out of what I wonder. I think most artists create art in order to explore, not to give the answers. Poetry and art are not about answers to me; they are about questions.
People say, write what you know, but it's really, write about what obsesses you. Write about what you're thinking about all the time.
Write what you know. Write what you want to know more about. Write what you're afraid to write about.
'Write what you know' works, but it's limiting. Write what fascinates you. Write what you can't stop thinking about.
I usually don't write songs by people calling me and saying, 'Write a song about this.' Usually I'm just going with what I want to write, so you never know.
You write the facts as you see them, and there isn't a lull with a lot of description. No wonder people like to write about murder mysteries and dead bodies!
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
I'm an efficient, good, professional reporter. But I also write. And so what I try to do is write about places that I know that I care about intensely and write about them in a way that conveys the fact that I care.
A lot of black actors will sit there and go, 'Every role is about being a gangster' - then they get an opportunity to write a script and they write about a gangster. You know... write about a superhero.
For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.
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