A Quote by Richard Peck

I'm so far gone that I'm telling the truth. It sounds like a foreign language. — © Richard Peck
I'm so far gone that I'm telling the truth. It sounds like a foreign language.
Please explain to me why John Kerry sounds more dickish telling the truth than Bush sounds when he's lying. How is that possible?
They're on their way to the foreign-language wing. That's no surprise. The foreign kids are always here, like they need to breathe air scented with their native language a couple times a day or they'll choke to death on too much American.
The more foreign to me, to my existence, to your core existence, the more foreign the foreign language, it's really moving to me to think, to get to experience my own story crossing those boundaries. To have that experience that I so cherished as a reader. I can't believe this. To me, it's really nice because that would be a thing where I'm like, "There may be lots of Jews in my work. I'm not writing stories for Jews. I'm telling stories about people, and Jews are people, too."
Everyone is used to speaking a slightly different "language" with their parents than with their peers, because spoken language changes every generation - like they say, the past is a foreign country - but I think this is intensified for children whose parents also grew up in a geographically foreign country.
I speak the truth but I guess that's a foreign language to ya'll!
But foreign should not be defined in geographical terms. Then it would have no meaning except territorial or tribal patriotism. To me that alone is foreign which is foreign to truth, foreign to Atman.
Sometimes I don't tell the truth, which is telling the truth about not telling the truth. I think people don't tell the truth when they're afraid that something bad's going to happen if they tell the truth. I say things all the time that I could really get into trouble for, but they kind of blow over.
In the United States there's not a lot of people interested in foreign language films. Every time, it's more difficult for foreign language films to survive here.
In the past, foreign intervention was obviously a major problem. Foreign domination, or if not domination, interference. But that has ended. There is no foreign domination; there is minimal foreign interference. The Cold War has ended. The Soviet Union no longer exists. The United States is showing minimal and diminishing interest in the Muslim world. They now have to confront their own problems. The old excuses are gone. The old justifications are gone and therefore the anger of people is turning increasingly against their own rulers.
When you do a film in a foreign language, you know there's a cost in it, that you know, unfortunately, the audiences of foreign language films have not been cultivated. There's a market, but the market has been reduced, unfortunately, and you know that when you're making a foreign language film, you're making a choice.
The issue is that when you're a critic it's hard to tell the difference between the thrill of denouncing and telling the truth. Telling the truth to me feels more often like denouncing than like praising. There are many more concrete advantages in the world for people who praise than for those who denounce. So if you want to tell the truth, oftentimes you're going to err on the side of denouncing. That's just something I have to work on.
I feel the weight of just telling the truth. There really is no weight to telling the truth. It's a little scary sometimes, but if you tell the truth, you don't have to be looking over your shoulder.
People who work in specialized fields seem to have their own language. Practitioners develop a shorthand to communicate among themselves. The jargon can almost sound like a foreign language.
To touch a person...to sleep with a person...is to become a pioneer," she whispered then, "a frontiersman at the edge of their private world, the strange, incomprehensible world of their interior, filled with customs you could never imitate, a language which sounds like your own but is really totally foreign, knowable only to them.
Start telling the truth now and never stop. Begin by telling the truth to yourself about yourself. Then tell the truth to yourself about someone else. Then tell the truth about yourself to another. Then tell the truth about another to that other. Finally, tell the truth to everyone about everything. These are the Five Levels Of Truth Telling. This is the five-fold path to freedom.
Visual art is a foreign language I'm fluent at, but my native language is language.
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