A Quote by Richard Phillips
I try to get out of an image's way in order to let it articulate what is hidden.
Related Quotes
The image gets built one way or another... it doesn't get done by following the natural order of things, but arises instead from an order that you have in your mind.
The image of myself which I try to create in my own mind in order that I may love myself is very different from the image which I try to create in the minds of others in order that they may love me.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
For years, I wrote songs to try to get cuts or try to have hits or try to appease a label or to be famous. I was learning a lot of valuable tools about structure and how to articulate. I was getting really good at that.
That's the nature of representation; every time we represent something we alter it and slightly change it. And so with that as my foundation, understanding that it's always fictional to some degree, I give myself a certain freedom to really explore and ask myself questions. What might not have been understood at that time? What might have been hidden at that time? What narrative in this particular image wasn't the primary image, but is really important? That is really interesting to me, and then I try to tease that out as much as I can.
I pray we... come to this darkness so far above light! If only we lacked sight and knowledge so as to see, so as to know, unseeing and unknowing, that which lies beyond all vision and knowledge. For this would be really to see and to know: to praise the Transcendent One in a transcending way... We would be like sculptors who set out to carve a statue. They remove every obstacle to the pure view of the hidden image, and simply by the act of clearing aside they show up the beauty which is hidden.
I hate cameras. They interfere, they’re always in the way. I wish: if I could just work with my eyes alone. To get a satisfactory print, one that contains all that you intended, is very often more difficult and dangerous than the sitting itself. When I’m photographing, I immediately know when I’ve got the image I really want. But to get the image out of the camera and into the open, is another matter.
... of the two kinds of order, the conscious and the unconscious order, only one is real. It's the order in the deep hidden places.
For movies, I usually do an entire book that has all kinds of things about what is happening at the time the movie is going on and try to get into what my character's going to be like, to try to get some consistency, because they shoot movies out of order.
It's easy to get into habitual ways of drawing things and I'm as much guilty of this as anyone else - after all, it's part of what makes a recognisable personal style. But I always try and think a lot about each image beforehand, try and envisage the best way of approaching it.
The older I get, the one thing I can trust in myself more than anything else is the way I feel about something. When I photograph I try to be as aware of my feelings as I can be to somehow try and get them out of me and onto the film in terms of the way I am responding or seeing the world.
Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close your eyes. 'The necessary condition for an image is sight,'Janouch told Kafka; and Kafka smiled and replied: 'We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.
When we have our body and mind in order, everything else will exist in the right place, in the right way. But usually, without being aware of it, we try to change something other than ourselves; we try to order things outside us. But it is impossible to organize things if you yourself are not in order. When you do things in the right way, at the right time, everything else will be organized.
Well I've got to get out of the rat-race now I'm tired of the ways of mice and men And the empires all turning into rust again. Out of everything nothing remains the same That's why I'm cloud hidden Cloud hidden Whereabouts unknown.
I started over again with an image: Nothing goes right. Then when The Godfather came out, all I heard was, Show respect. With me, you show respect. So I changed the image to I don't get no respect. I tried it out in Greenwich Village. I remember the first joke I told: Even as a kid, I'd play hide and seek and the other kids wouldn't even look for me. The people laughed. After the show, they started saying to me, Me, too - I don't get no respect. I figured, let's try it again.
Don't confuse simple, reasonable honesty with radical silliness. There is no reason to try to articulate blurry feelings or over-explain every detail. The point is to be honest instead of internalizing, not to try to extract juicy confessionals out of everyday life.
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