A Quote by Richard Powers
I like to travel and connect.
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My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
He didn’t really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself.
My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.
There's something about using the cinematic device as a tool to connect with dimensions of the world that you don't know too well, you're not too familiar with. It's like a creating a bridge, or a spaceship to travel to the unknown.
I like to be able to connect with people. And that's how I connect, right away. I like to really talk to somebody. To me, it makes my night more interesting.
It is like therapy to write and have people connect with it. That's the kind of music I connect with most.
Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.
I travel with a lot of clothes, which is a really bad idea because it's such a nightmare to travel. I always overpack because I like to bring things with me, and I accumulate stuff, so it piles up. I travel with everything I own.
When I travel, I connect with creative people in all different fields and disciplines. It's sort of just to keep my finger on the pulse of what's going on. I think that's important.
You have to be able to connect and re-connect to the passionate things that got you to a certain point in the first place. If you can connect and continue to hold onto that passion, that's the key thing that will help you get through tough times.
Wanderlust is not a passion for travel exactly, it’s something more animal and more fickle- more like lust. We don’t lust after very many things in life. We don’t need words like ‘worklust’ or ‘homemakinglust.’ But travel? The essayist Anatole Broyard put it perfectly: ‘Travel is like adultery: one is always tempted to be unfaithful to one’s own country. To have imagination is inevitably to be dissatisfied with where you live… in our wanderlust, we are lovers looking for consummation.’
In acting class they tell you that you have to be real, connect with the people, connect with your partner. The same as politics, you have to connect to the people.
In Japan, there's a TV series called Jin. It deals with time travel. I like stories about time travel. It's a story about people living in modern day that travel back to the Edo era. Those things really interest me.
Travel magazines are just one cupcake after another. They're not about travel. The travel magazine is, in fact, about the opposite of travel. It's about having a nice time on a honeymoon, or whatever.
The Internet is like alcohol in some sense. It accentuates what you would do anyway. If you want to be a loner, you can be more alone. If you want to connect, it makes it easier to connect.
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