A Quote by Richard Preston
An Ebola particle is only around eighty nanometres wide and a thousand nanometres long. If it were the size of a piece of spaghetti, then a human hair would be about twelve feet in diameter and would resemble the trunk of a giant redwood tree.
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A murmuring, fateful, giant voice, out of the earth and sky, Voice of a mighty dying tree in the Redwood forest dense.... [T]he wood-spirits came from their haunts of a thousand years, to join the refrain; But in my soul I plainly heard. Murmuring out of its myriad leaves, Down from its lofty top, rising two hundred feet high, Out of its stalwart trunk and limbs - out of its foot-thick bark, That chant of the seasons and time - chant, not of the past only, but of the future.
Chew on this: Human teeth can detect a grain of sand or grit 10 microns in diameter. A micron is 1/25,000 of an inch. If you shrank a Coke can until it was the diameter of a human hair, the letter O in the product name would be about 10 microns across.
Why, did you know that if a beaver two feet long with a tail a foot and a half long can build a dam twelve feet high and six feet wide in two days, all you would need to build Boulder Dam is a beaver sixty-eight feet long with a fifty-one-foot tail?" "Where would you find a beaver that big?" grumbled the Humbug as his pencil point snapped. "I'm sure I don't know," he replied, "but if you did, you'd certainly know what to do with him.
It seems that every life form on this planet strives toward its maximum potential... except human beings. A tree does not grow to half its potential size and then say, "l guess that will do." A tree will drive its roots as deep as possible. It will soak up as much nourishment as it can, stretch as high and as wide as nature will allow, and then look down as if to remind us of how much each of us could become if we would only do all that we can.
As soon as a redwood is cut down or burned, it sends up a crowd of eager, hopeful shoots, which, if allowed to grow, would in a few decades attain a height of a hundred feet, and the strongest of them would finally become giants as great as the original tree.
Redwood time moves at a more stately pace than human time. To us, when we look at a redwood tree, it seems to be motionless and still, and yet redwoods are constantly in motion, moving upward into space, articulating themselves and filling redwood space over redwood time, over thousands of years.
A tree trunk the size of a man grows from a blade as thin as a hair. A tower nine stories high is built from a small heap of earth.
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
A scientist is only a human being, a particle in the whole universe. How can the observations and logic of a particle measure the life and size of a phenomenon that is limitless?
Nixon is the kind of politician who would cut down a redwood tree, then mount the stump for a speech on conservation.
A hypocrite is the kind of politician who would cut down a redwood tree, then mount the stump and make a speech for conservation.
If my body were a tree trunk, the rings would surely reveal the time it has had to mature.
If a hundred-foot oak tree had the mind of a human, it would only grow to be ten feet tall!
I always thought jazz was like the trunk of a tree. After the tree has grown, many branches have spread out. They're all with different leaves and they all look beautiful. But at the end of the season, they fold back up and it's still the tree trunk.
What miracle is this? This giant tree. It stands ten thousand feet high But doesn't reach the ground. Still it stands. Its roots must hold the sky.
I've usually never felt comfortable shooting until things were kind of claustrophobic, but ballet dancers need a lot of space, so the sets that I designed had to be big. Normally, I'd design a kitchen that was half the size of a normal kitchen, just to make everything feel kind of womb-like, but the kitchen in a ballet would have to be like 100 feet wide and just as long.
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