A Quote by Richard Prince
A lot of it's experimental, spontaneous. It's about knocking about in the studio and bumping into things.
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I feel prematurely old. I'm actually having this major belated quarter-life crisis. I'm turning 30 in a couple of weeks. I've been thinking a lot about mortality. A lot about what I'm going to do with my life and how to enjoy it. One of the things I'm going to work on is being more spontaneous, letting go, embracing the beauty of come-what-may.
When I'm preforming a lot I'm aching to get back in the studio but I love live performance. I love trying to think on my feet and be spontaneous. I like doing that in a live show and I do the same thing in the studio.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
What's great about documentary, it seems to me, is that it can be experimental filmmaking. You have a license to do a lot of diverse things under the umbrella of 'documentary.'
What's great about documentary genre, it seems to me, is that it can be experimental filmmaking. You have a license to do a lot of diverse things under the umbrella of "documentary."
I think indie films have more of a fresh, experimental vibe about them, whereas studio films know what they want and can basically get it.
I really dislike it when people talk about "experimental," because any good writer is experimental.
I really dislike when people talk about "experimental," because any good writer is experimental. As a writer, you don't know what the hell you're doing. You're just doing it. You hope it works out well. I've been experimenting with these things myself in my own books.
I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.
When you have a lot of time, when you're not working a full-time job, you have a lot of time to question things and think about things. Some of it's about romantic relationships, some of it's about drugs, about religion, about this mass of humanity traveling through life doing all this crazy stuff, not really knowing why or for what.
It's hard to say what an album is about - because each one is usually about a lot of things to me, but then I hope it also can mean a lot of different things to someone else. That's the beautiful thing about music.
You can't cooperate by knocking something about or bossing it or forcing it to do things.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
Generally, a lot of the things people think are made up are real, a lot of the things people think are real are made up, a lot of the things people think are spontaneous are cleverly faked, and a lot of the things people think are fake are spontaneous.
I was doing experimental noise-based music and I learned a number of things about performance. I was playing small shows - sometimes without a PA - where people couldn't really hear me so I relied a lot on physicality and a sense of discomfort and risk.
As a child I did a lot of imaginary bits, you know. It depends on the individual, I enjoyed then knocking the nail in, I enjoy knocking nails in walls to hang pictures up, but I also enjoy thinking 'I'm gonna do that' but I actually won't do it, I enjoy imagining doing things just as much.
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