A Quote by Richard Quest

You have to give an element of performance on television. — © Richard Quest
You have to give an element of performance on television.
In the theater, actors are the essential element of the work. In a film, it's a real collaboration - not that theater isn't, because it is - but it's a collaboration to such an extent that you can give a performance in film that sometimes you look at and you go, "Well, that's not the performance I was trying to give at all."
Every time fans turned on the television or watched the Dallas Cowboys, I wanted to give them the performance of a lifetime.
I'm one of those pathetic actors who will say yes to every play reading just because I do miss the stage so much. What I really miss about the theater is that in the end, it's yours to give. In television and film, it's yours to do and someone else's to take and someone else's to give. As much as I love television - the biggest luxury of all is to know that you have a job to go to - I do miss that connection and having that power over my own performance on stage.
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
We have new tools that can give the audience a sense of not only being there, which is the key element in an IMAX film, but also seeing things in a way that they won't see on television or in feature films.
I don't view interviewing as much of a performance. My whole life is in essence a performance but singing and dancing for television is an entirely different thing.
Many shows in television have tried to do a Web element, and usually it's dumb. 'iCarly' has set the bar in television and Internet. I don't think there is better example. That may be the most significant thing about it.
You don't know being a performer what kind of performance you're going to give. You know you can give a certain quality of performance, but as I grow older I'm much more content in my own skin because when I come offstage, I have a balance in my life.
I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.
It is true that we have not deliberately or wholly abandoned the Christian element in our tradition, but does that element count with us as it once did? Is the moral tone of the nation - its politics, its business life, its literature, its theatre, its movies, its radio networks, its television stations - Christian?
I don't fear death. I'm not obsessed with it the way everybody else seems to be. It's wrong to say "everybody," but in literature I see it all the time - preoccupation with it, philosophical preoccupation, in fact. That's a principle element of literature and philosophy, often cited as the main element, the only real element. I say give it up.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
As an actress, vanity is your enemy. If you're thinking about how you look, you're not going to give a good performance. Once I realized, 'Hmm, I guess I'm not that vain,' it's like something I wanted to protect. I can't imagine anyone could give the full dynamic performance they're capable of and still be vain.
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
Somehow writing has always seemed to me to have an element of performance.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
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