A Quote by Richard Quest
People always want to get behind the image on the screen, and I'm not sure there is one. I don't put on an act.
Related Quotes
People can hide behind a screen. No one is going to do it at a match, in front of you, like throw a banana at a black player or something. They are very happy hiding behind a screen and being comfortable.
When loved ones die, people always say, “Don't be sad. I'm sure they would have wanted you to be happy.” I'm sure that's true. But let's be realistic here, people also want to be missed. It is every person's nightmare to leave the world behind as if they had never been there at all.
You have to get rid of borders, limits, and classifications; then light comes. We see everything on the screen of our ideas. We must get rid of that screen to be able to see what is behind. X's ideas are limited, that is why he remains on the surface. Y got rid of the limits, so she always goes to the depths. We should always meet people and new subjects with no set frame of mind. We have to live like that even after long acquaintance. We must get rid of every set idea to approach everything and everyone with love.
People respond differently to the same image and put on what they want or hope or feel onto that image.
We want to see women in more power positions, not just in front of the screen but behind the screen as well.
Autobiographies give you the picture of the person behind the image on screen, because that's never really you.
We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.
I always say if you put someone from a small town into a big city for ten years, then when they go back, they'll act differently. Are they the same person? Sure, but do they act different? Yeah.
What you seem to find when you get into this biography business is that people tend to have an image of themselves that they want to project, and they want to color statements by this image.
We've got to be able to have a conversation and recognize we're all Americans; we all want the best for this country. We may have some disagreements in terms of how to get there, but all of us want to make sure that our economy is strong, that jobs are growing. All of us want to make sure that people aren't bankrupt when they get sick. All of us want to make sure that young people can afford an education.
'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.
It's in my nature to want every image of me to be authentic but at the end of the day as a model, I don't always get control over how someone decides to put forth my picture.
Sure, there were always questions that lingered, the 'What ifs?' You wondered what might have been if not for the injury? What would my career have looked like and turned out to be? But I had to put my head down and put it behind me.
You get an image after you act in a film, but it is not necessary that you last long because of that image.
I put a lot of time and energy and thought behind what I do and the characters that I create, and I don't want to do anything peripheral that is going to make an audience see me up there on the screen rather than who I'm playing.
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
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