A Quote by Richard Rodney Bennett

People ask what was the first piece of music I wrote. There was no first piece. — © Richard Rodney Bennett
People ask what was the first piece of music I wrote. There was no first piece.
I ask people what piece they are on the chessboard. And some people say 'I'm the king' or 'I'm the knight.' And then they ask me what piece I am, and I say, 'I'm no piece. I take the position of God.'
Sometimes people won't even finish a piece that you wrote, because they've already decided what it is that you want to say, and generally I, whatever I say in the first half of the piece, you should not assume I'm going to end up with, but they don't finish reading them. So, and people read fast and stuff.
If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.
'Close to the Edge' is the album where we first attempted to do the extra-long-form piece of music, having one song taking up the whole side of a piece of vinyl.
I thought of the structure as musical. The first piece, for instance, contains the names/subject matter of every person to come in the book. Like a piece of music with themes, etc.
I came to what I think of as the critical problem: the aging process of a piece of music. I noticed in the '70s that pieces I wrote would sound great the first time I listened to them and then on repeated hearings they sounded older and older until what seemed exciting and vibrant on first listening became stale.
The hardest piece of nonfiction I ever wrote isn't anywhere close to the easiest piece of fiction I never wrote.
So if I have two pieces of cake, do I have twice as good an experience as the first piece of cake? One of the things I've found in life is that the first piece of cake is the best.
I wrote my first piano piece when I was in 4th grade.
I think I wrote my first piece about food in 1978.
Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time.
The first 2 weeks, they didn't learn the piece - they went through the process of how the piece was made.
Piece by piece I sent my first book of poems to American Poetry Review and was rejected one by one.
I was trampled to death by a man who believed his luggage would be the first piece off. If he were an experienced traveler, he would know that the first piece of luggage belongs to no one. It's just a dummy suitcase to give everyone hope.
One of the things I love about jazz music is that intent is first and execution is second. In classical music, execution is first and intent is second, meaning that you must first learn a piece before you can truly add your interpretation to it.
If you have a piece by Bach, he often develops the piece to such a high level that you can hardly do much more to it. But Saint-Luc wrote very simple baroque music, and so if you do not embellish it, it just falls apart. It's way too simple.
This site uses cookies to ensure you get the best experience. More info...
Got it!