A Quote by Richard Rodriguez
I don't deny people their fantasy life, but I do think that we desperately need to start realizing just how complicated our reality is in America. Sitcoms just don't show us that.
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The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
Reality, for all intents and purposes, is just life - the real world, pure and uncut, shot straight to the vein of our souls every day we draw breath. Whether it's good or bad, it's still reality; the opposite of illusion, the foe of fantasy, and the anchor that keeps us stuck on this plane. And thank Buddha it does, because some people need it in huge doses.
We're not trying to make a reality show at all. The show gets described sometimes as a reality show, sometimes as a prank show. I think it's neither. It's just about us, and it's just about us having a platform to be funny and do comedy, really.
See fantasy is what people want, but reality is what they need. And I just retired from the fantasy part.
Our own intuition of what we're called to is reality speaking to us individually and perfectly. We have to listen to how the Infinite talks to us and leads us. Reality, Life the Infinite, God, has a way of leading us in just the perfect way, if we will only just listen to it.
I think people need fantasy, but I think they also need to know that they're not being lied to. I think sometimes the fantasy can betray people and become more difficult for people's lives than just truth. I can't stand delusion. Delusion makes me sick.
Forgive everybody for everything. Just forgive and start - most of us can't start with ourselves. We have to forgive the people we think did things to us. So that's fine. Start there - wherever. Start with the dog who peed on the rug. I don't care where you start, just do it.
We don't need a president who just says, "Gentlemen, start your engines." We need a president who says, America, let's start our economy and put people back to work.
Well, I believe that life is very complicated. And in a way, the only way you can show life in a truthful way is to show how complicated it is as an individual, but also your relation between a complicated life and the complications you have inside you.
Guardian angels are perhaps the most popular kind, probably because we all know how fragile life can be. We desperately need protection from unexpected circumstances and unseen dangers. Just the thought of good angels hovering around us gives people a feeling of safety!
The reality, ... is that I need to win games of football. That's where the pressure and the sleepless nights come from. There's a fantasy pressure with this job but none of that matters. I need to make this team into a good unit, need to take it forward, give it a change of pace, need to get it younger and to use the experience of the lads we've got here. I need Lennon and Sutton and people like that to go and show how you handle being a Celtic player.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
I think every man and woman is a star. It's just a matter of realizing and becoming it. It's all a matter of willpower. The world is just how you see it. If you want to have other people tell you how to see it, then you can. But if you want to look at it differently, then it's limitless what you can do. That's why I don't feel the need to be one person. I can be as many people as I like.
When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow.
You start realizing that maybe you're the one night a month that people have out, and they don't need to hear your political views or how dark you can get. They just want to laugh for an hour and go home. Once I wrapped my head around that, my act evolved accordingly.
If you can show something as complicated as two people falling in love with just music and camera angles, well, just think about what you can do with football.
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