A Quote by Richard Roeper
There's a lot of vitriolic ranting out there, but there are literally hundreds of critics on the web who care deeply about film and having something to say about it.
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I really have a deep sense of caring about the air that we breathe and the water that we drink. I want to be able to say that I was trying to protect that. And I also care deeply about children. My children, all children. And I care deeply about giving back.
I think there's something very disingenuous about literally all people who say that they don't care about anyone's approval.
I care very much what the fans think. I'm starting to loosen my grip on caring about what critics say, because I think that critics care about what fans think of them, too, so there's a little bit of a refraction there, through that glass.
I don't really give in to the critics because critics are always going to criticize, and what have they done? A person who has never done nothing can't really care nothing about doing something. So as far as the critics, I don't care what they think. I don't have time to give to critics.
Weirdly, there have been a lot of critics of conservatism, but very few critics of innovation. As a culture, we are deeply paranoid about politics, but we gaze upon innovation with rapturous adulation.
I care about a lot of issues. I care about libraries, I care about healthcare, I care about homelessness and unemployment. I care about net neutrality and the steady erosion of our liberties both online and off. I care about the rich/poor divide and the rise of corporate business.
There's something deeply satisfying when it succeeds, but I'm not going to do another book just to put my name on something and make some money if it's not something I deeply care about.
There's nothing illogical, it seems to me, about saying, 'I am going to care deeply about my work and my writing. I'm also going to care deeply about my family and my child.'
I think one of the main reasons I write is to do better than ranting. The ranting is the opinion, and the writing is not the opinion. I always say that people's opinions are the worst things about them. The words demand a dignity.
People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.
I'd rather have just one person who reads and feels my work deeply than hundreds of thousands who read it but don't really care about.
Causes do matter. And the world is changed by people who care deeply about causes - about things that matter. We don't have to be particularly smart or talented. We don't need a lot of money or education. All we really need is to be passionate about something important; something bigger than ourselves. And it's that commitment to a worthwhile cause that changes the world.
To me, having 'material' for an essay means not only having something to write about but also having something interesting and original to say about whatever that might be.
It's definitely a unique situation that we're in. And, yeah, it is difficult not having our ringleader here with us to talk about the film [the Waitress], not having our main person here. People are also asking in relation to the film: what would Adrienne [ Shelly] say about this or that? But I don't know. I don't know what she would say.
As a leader, you need to care deeply, deeply about your people while not worrying or really even caring about what they think about you. Managing by trying to be liked is the path to ruin.
The web's democratic in one way and distinctly undemocratic in another way. And I think a lot of the confusion about the political ramifications have to do with that one word having so many meanings. So, it's democratic in that it quite literally delivers power to the people; it, it essentially opens up participation in the public's mind.
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