A Quote by Richard Rogers

Most buildings, whether they're Gothic cathedrals or Romanesque ones, were high tech for their time. — © Richard Rogers
Most buildings, whether they're Gothic cathedrals or Romanesque ones, were high tech for their time.
At the time Gothic cathedrals were designed, most people lived in dark huts, so just walking into a space vastly larger than what they were habituated to, lit by stained glass windows, was literally awe-inspiring. Today, we're not as impressed by big buildings, so we have to go to very large mountains to experience that 'diminutive effect.'
Architecture traditionally has been the slowest of art forms. It was not unusual for great cathedrals to take centuries to complete, with stylistic changes from Romanesque to Gothic or Renaissance to Baroque as common as the addition of chapels or spires. But because the function remained the same, the form could be flexible and its growth organic.
Not even the most secular among us can fail to be uplifted by Christianity's architectural legacy - the great cathedrals. These immense and glorious buildings were erected in an era of constricted horizons, both in time and in space.
All the great works of art, the cathedrals - the Gothic cathedrals and the splendid Baroque churches - are a luminous sign of God, and thus are truly a manifestation, an epiphany of God.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move.
These old ballparks are like cathedrals in America. We don't have big old Gothic cathedrals like they do in Europe. But we got baseball parks.
In 2001, we were like most high-tech companies, with one or two primary products that were really important to us.
To me, Los Angeles and California and executive power are about big, open warehouse buildings. Tech companies are buying oversized buildings, because they project growth immediately.
I studied at a time when buildings were sterile things, and their creators were hands-off people - super-intelligent people, but you felt they didn't love the stuff buildings are made from.
There was a time when nails were high-tech. There was a time when people had to be told how to use a telephone. Technology is just a tool. People use tools to improve their lives.
Norwich is a fine city. None finer. If there is another city in the United Kingdom with a school of painters named after it, a matchless modern art gallery, a university with a reputation for literary excellence which can boast Booker Prize-winning alumni, one of the grandest Romanesque cathedrals in the world, and an extraordinary new state-of-the-art library then I have yet to hear of it.
Societies raise their grandest monuments to what their cultures value most highly. As the tallest buildings in a city noted for tall buildings, the Twin Towers of the World Trade Center were certainly monumental.
I love church buildings, particularly cathedrals, and I like living in spaces that remind me of music or evoke that creative energy.
Even at the beginning when I arrived at Givenchy, there were certainly people who supported me, but not everyone loved me. They were saying, "Why an Italian who acts Gothic?" Never mind the fact that Italy is one of the main exhibitors of Gothic art in the world. But it was like, "No, Italians should only do sexy!"
Nico was gothic, but she was Mary Shelley gothic to everyone else's Hammer horror film gothic. They both did Frankenstein, but Nico's was real.
I hate the word gothic but I would like to try doing something like that. A gothic sound, not rock, but gothic. There's a difference.
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