A Quote by Richard Rohr

Every time you choose to love, you have also just chosen to die. — © Richard Rohr
Every time you choose to love, you have also just chosen to die.
Are we not all of us fanatics? I say only what you of the U.S.A. pretend you do not know. Attachments are of great seriousness. Choose your attachments carefully. Choose your temple of fanaticism with great care. What you wish to sing of as tragic love is an attachment not carefully chosen. Die for one person? This is a craziness. Persons change, leave, die, become ill. They leave, lie, go mad, have sickness, betray you, die. Your nation outlives you. A cause outlives you.
I'll always choose you." Yes that was the word. "Every single lifetime, I'll choose you. Just as you have always chosen me. Forever.
Don't die for the country! Don't die for the love! Don't die for anything! Always choose life! Under every circumstance this is your real duty in life!
Love isn’t putting chain on someone who wants to struggle and is ready to die for it, love is letting him die in the way he’s chosen.
I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you.
We do not choose to be born. We do not choose our parents, or the country of our birth. We do not, most of us, choose to die; nor do we choose the time and conditions of our death. But within this realm of choicelessnness, we do choose how we live.
All men and women are born, live, suffer and die; what distinguishes us one from another is our dreams, whether they be dreams about worldly or unworldly things, and what we do to make them come about... We do not choose to be born. We do not choose our parents. We do not choose our historical epoch, the country of our birth, or the immediate circumstances of our upbringing. We do not, most of us, choose to die; nor do we choose the time and conditions of our death. But within this realm of choicelessness, we do choose how we live.
This I choose to do. If there is a price, this I choose to pay. If it is my death, then I choose to die. Where this takes me, there I choose to go. I choose. This I choose to do.
Ultimately, I don't know if love is an organizing principle we choose or if it's innate. I'm not sure the distinction matters to me much anymore; I just care about how we can reduce unnecessary suffering. I think that means learning to love in both the micro and the macro; engaging in ethical action at the level of intimacy and friendship, but also at the vocational level through our chosen work in the world, our right livelihood.
People say they love the characters I've chosen in my career. But I didn't choose anything. I just happened to be working and these were offered to me.
I can choose to be happy, or choose to be miserable every day - waiting until I die.
When a plane crashes and some die while others live, a skeptic calls into question God's moral character, saying that he has chosen some to live and others to die on a whim; yet you say it is your moral right to choose whether the child within you should live or die. Does that not sound odd to you? When God decides who should live or die, he is immoral. When you decide who should live or die, it's your moral right.
Christ, who said to the disciples, 'You have not chosen me, but I have chosen you,' can truly say to every group of Christian friends, 'You have not chosen one another but I have chosen you for one another.'
There is a time in every life when paths are chosen, character is forged. I could have chosen a different path. But I didn’t. I failed myself.
Fifty million people die every year, six thousand die every hour, and over one hundred people die every minute. But when thousands of people die in the same place and at the same time, we are more likely to wonder why God would allow such a thing to happen.
I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
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