A Quote by Richard Rorty

Truth is a property of sentences, since sentences are dependent for their existence upon vocabularies, and since vocabularies are made by human beings, so are truths. — © Richard Rorty
Truth is a property of sentences, since sentences are dependent for their existence upon vocabularies, and since vocabularies are made by human beings, so are truths.
We form ourselves within the vocabularies that we did not choose, and sometimes we have to reject those vocabularies, or actively develop new ones.
To say that truth is not out there is simply to say that where there are no sentences there is no truth, that sentences are elements of human languages, and that languages are human creations.~ The suggestion that truth~ is out there is a legacy of an age in which the world was seen as the creation of a being who had a language his own.
Men seek for vocabularies that are reflections of reality. To this end, they must develop vocabularies that are selections of reality. And any selection of reality must, in certain circumstances, function as a deflection of reality.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
Just as you can practice three-word sentences or sentences that travel across time zones, so can you practice writing sentences that breathe unshakable conviction.
The most striking aspect of linguistic competence is what we may call the 'creativity of language,' that is, the speaker's ability to produce new sentences, sentences that are immediately UNDERSTOOD by other speakers although they bear no physical resemblance to sentences which are 'familiar.
Moreover, a book is not made of sentences laid end to end, but of sentences built, if an image helps, into arcades or domes.
Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.
I do think it's important that we experiment with new vocabularies. That new words help us conceptualize our social existence in a different way.
Grammar is what gives sense to language .... sentences make words yield up their meaning. Sentences actively create sense in language. And the business of the study of sentences is grammar.
Mandatory minimum sentences give no discretion to judges about the amount of time that the person should receive once a guilty verdict is rendered. Harsh mandatory minimum sentences for drug offenses were passed by Congress in the 1980s as part of the war on drugs and the "get tough" movement, sentences that have helped to fuel our nation's prison boom and have also greatly aggravated racial disparities, particularly in the application of mandatory minimum sentences for crack cocaine.
I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating.
Writing simply means no dependent clauses, no dangling things, no flashbacks, and keeping the subject near the predicate. We throw in as many fresh words we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it vital and alive.... Virtually every page is a cliffhanger--you've got to force them to turn it."~
When men comfort themselves with philosophy, 'tis not because they have got two or three sentences, but because they have digested those sentences, and made them their own: philosophy is nothing but discretion.
Others have questions about how it is that God and human beings can both be speaking through the one document such that you can see and read the personalities of the human authors with their individual vocabularies and literary genres, and yet this is nevertheless the word of God. How can that be? This is quite a contrast with Islam, for example, which holds that the Koran has been dictated in Arabic by God and as a result Mohammed is nothing more than the one who memorizes the word so as to pass it on. There is nothing of human contribution.
Human beings are like timid punctuation marks sprinkled among the incomprehensible sentences of life.
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