A Quote by Richard Russo

Steve Yarbrough's Safe from the Neighbors will take your breath away. Ambitious, funny, sad, smart, and beautifully crafted, it's everything a novel should be. — © Richard Russo
Steve Yarbrough's Safe from the Neighbors will take your breath away. Ambitious, funny, sad, smart, and beautifully crafted, it's everything a novel should be.
Steve Yarbrough is a masterful storyteller-one of our finest-and Safe from the Neighbors is a masterpiece. . . . This is a spellbinding, powerful novel.
Steve Yarbrough is a writer of many gifts, but what makes Safe from the Neighbors such a magnificent achievement is its moral complexity. . . . Safe from the Neighbors does what only the best novels can do; after reading it, we can never see the world, or ourselves, in quite the same way.
Safe from the Neighbors is a novel of unusual richness and depth, one that's as wise about the small shocks within a marriage as it is about the troubled history of Mississippi. Steve Yarbrough is a formidably talented novelist, shuttling between the past and present with a grace that feels effortless.
If I had a bowler hat, I'd take it off to the author of this beautifully crafted steampunk novel.
I think the audience should take away that it's okay to be smart, it's okay to be funny and well-learned. You can be from academia and be funny; you don't have to be an idiot.
You should take a good look at all sides of an issue before making a decision. Put something away in case of an emergency. New neighbors will bring good cheer. A small problem may occur at home base, but you will solve it quickly and correctly. Don't offer smart advice unless you are really asked to comment.
Elisabeth Sheffield's new novel is multilayered, smart, beautifully written, and funny. I was taken in by the first paragraph and held firmly through the roller coaster of a ride. The depth of the novel was evidenced by the constantly shifting meaning of the title itself. In fact, the entire work never changes its meaning, but somehow, seamlessly, simply means more. This is a rare and memorable piece of work.
Very few writers understand the complex history and maddening social order of the Mississippi Delta. For Steve Yarbrough, though, it's home turf. He is wickedly observant, funny, cynical, evocative, and he possesses a gift that cannot be taught: he can tell a story.
Men are basically smart or dumb and lazy or ambitious. The dumb and ambitious ones are dangerous and I get rid of them. The dumb and lazy ones I give mundane duties. The smart ambitious ones I put on my staff. The smart and lazy ones I make my commanders.
Our breath is the most precious substance in our lives, and yet we totally take for granted when we exhale that our next breath will be there. If we did not take another breath, we would not last 3 minutes. Now if the Power that created us has given us enough breath to last for as long as we shall live, can we not trust that everything else we need will also be supplied?
Crafted with care and with love, this beautifully constructed novel reveals hard truths and difficult secrets. Diana Davidson is a writer of great honesty and integrity, a writer to trust.
For me, not just the character of 'Ender', but the whole world is so beautifully crafted in the novel that I wasn't sure how it could be brought to the screen - but Gavin has done it justice, and he's done it amazingly.
See them together and you will feel a force that will take your breath away.
I call everything Steve. Since I was little, I'd go on, like, holiday and call hermit crabs Steve. And I still do. I'll name a snail Steve. Everything is called Steve in my world. My car is also called Steve.
After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.
There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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