A Quote by Richard Russo
I never worry about people not taking my work seriously as a result of the humor. In the end, the comic's best trick is the illusion that comedy is effortless. That people imagine what he's doing is easy is an occupational hazard.
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The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.
Comedy, when it works, is light on its feet and has the illusion of complete spontaneity: as if there is no film, no camera. You are standing there experiencing it all in real time. This illusion, I believe, is why so many people think comedy is easy.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
Taking pleasure in the dark side may be some sort of occupational hazard for reporters.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
But this is an occupational hazard of being a scientist. You say this is the best information I have and then you realize that not everyone is going to read the footnotes or the whole book, so people are going to get the wrong impression.
I don't feel any pressure at all because I don't care. That's an occupational hazard... but if you're doing anything of any worth, and not doing something that's safe and anodyne and trying to be populist and a national treasure, then you've got to assume that as many people hate what you do - and you - as like what you do and like you.
When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.
I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
The challenges in taking any IP into any other platform are best met by empowering the individuals that can work best in that area and that is one of the things that I really admire about Marvel as a company. They go out and find the best people, whether it is to draw a comic book or create a television series or make a movie.
In the industry, I am judged by what I wear. If I want to be taken seriously, I have to hire a team of stylists. It's an occupational hazard. But it's not as though I am any less of a feminist.
Taking fear seriously is not easy. A lot of people's response to fear is "Don't worry so much, it's crazy." But some things absolutely deserve our fear, and climate change is first among them.
My dark comic edge is the end result of trying to use humor to maintain my sanity growing up in a dysfunctional family in Honolulu.
I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.
It's impossible to feel the creative juices flowing if you're always worried about the end result. I think really, really good work comes out of people being quite open, not stressed, really exploring, trying to be imaginative, without worrying too much about the end result.
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