A Quote by Richard Russo
I've never written nearly as much about place as people seem to think I do. I just write about class.
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There are two places that are hard to write about. A place like Britain, England in particular, which has been written about by everybody, and then the place that's never been written about.
Sex is difficult to write about because it's just not sexy enough. The only way to write about it is not to write much. Let the reader bring his own sexuality into the text. A writer I usually admire has written about sex in the most off-putting way. There is just too much information.
I don't think you can write from a reactive place. I think you just write the thing you want to write about, and if other people are writing about it, that doesn't really come to bear on what you want to do.
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
For better or worse, a lot of people's images are based on the first things that are written about them. You can't control what people write about you, so - good or bad - I have never lost sleep about it.
You can write better about a place you've seen for yourself. You don't have to have been there - I've sure written about places I've never seen - but it does help.
When I was young, I would just write poems into textbooks in class. Everybody needs that outlet. For me, I think it's less about learning about myself and more about just needing to get things out sometimes.
I find in most novels no imagination at all. They seem to think the highest form of the novel is to write about marriage, because that's the most important thing there is for middle-class people.
My point of view is, I'm just a person, and there are times when I look at other people and think, 'My God, they spend so much time thinking about things that seem so absurd.' But I'm sure people must think the same thing about me.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good.
I've lost track of the number of people who want to be writers but never actually write anything. Talking about writing, dreaming about writing, can be very fun, but it won't get a book written. You've got to write.
I've lost track of the number of people who want to be writers but never actually write anything. Talking about writing, dreaming about writing, can be very fun, but it won't get a book written. You've got to write
I've never written about a situation involving real people that I haven't directly taken part in. I've never made things up about other people. None of my stories were written with ill-intent towards the other people in them, even though I doubt people will believe that about "Adrien Brody."
I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.
I think I learned a lot about collaboration and about joint creativity with other people. It is honestly so much fun and I don't think that I would have had the same album if I had just written it by myself.
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