A Quote by Richard S. Wheeler
One only has an adventure when one makes a mistake, but [as] my grandmother used to say: "You don't have to get out of trouble if you don't get into trouble."
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I think you write only out of a great trouble. A trouble of excitement, a trouble of enlargement, a trouble of displacement in yourself.
If you're the Queen you don't need to say anything and you don't get into trouble. If you're the Duke of Edinburgh you say a lot of things, sometimes too many, and you do get into trouble.
Better never trouble trouble until trouble troubles you; for you only make your trouble double trouble when you do.
It's very hard to write about that which is always beautiful and pleasant and good. You don't get anywhere with it. There's no friction in it. There's no trouble. You have to have trouble. Somebody's got to get in trouble, or no one wants to read it.
It's more this instinct to get in trouble, and then get myself out of trouble. That's what painting is for me.
Rosa Parks inspired me to find a way to get in the way, to get in trouble... good trouble, necessary trouble.
I just know that there are plenty of people who are in terrible trouble and can't get out. And so I'm impatient with those who think that it's easy for people to get out of trouble.
Look, when I got in trouble in school I got in trouble at home. Now when kids get in trouble at school, the teacher gets in trouble. So the families are important.
I met Rosa Parks when I was 17. I met Dr. [Martin Luther] King when I was 18. These two individuals inspired me to find a way to get in the way, to get in trouble. So I got in good trouble, necessary trouble.
It's much easier to stay out of trouble now than to get out of trouble later.
I want to see young people in America feel the spirit of the 1960s and find a way to get in the way. To find a way to get in trouble. Good trouble, necessary trouble.
With acting, you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war, where you need an exit strategy. When you're acting, you should get all the way into trouble with no exit strategy, and have the cameras rolling.
If you'd rather learn how to ride a horse or something, I would say do that. That'll keep you out of trouble. You would think a band would get you in trouble, but I think it's the opposite.
Whatever happens on the golf course is OK, because if I put the ball in trouble I know that I have the skills to get it out of trouble and back into play.
Whenever I'd get in trouble, my mom would send me to Seattle, and when I would get in trouble there, I'd get sent back to Virginia.
Trouble is bad to get into but fun to get out of. If you're in trouble, eighty percent of the time there's a way out. If you can see the ball, you can probably hit it; and if you can hit it, you can move it; and if you can move it, you might be able to knock it in the hole. At least it's fun to try.
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