A Quote by Richard Sammel

If I do a lot of television, than I miss theater. If I do a lot of theater, than I miss film. This global thing of performing arts gives me strength. — © Richard Sammel
If I do a lot of television, than I miss theater. If I do a lot of theater, than I miss film. This global thing of performing arts gives me strength.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
My mum asked me what I prefer, and I said, 'I never miss film, but I miss theater.'
I have a background in theater - I went to school for theater. I love film - love it - but there's just something about theater that I really miss.
I like to go back and forth between film and theater. When I do film, I miss theater and vice versa.
I'm one of those pathetic actors who will say yes to every play reading just because I do miss the stage so much. What I really miss about the theater is that in the end, it's yours to give. In television and film, it's yours to do and someone else's to take and someone else's to give. As much as I love television - the biggest luxury of all is to know that you have a job to go to - I do miss that connection and having that power over my own performance on stage.
I majored in drama and theater arts at Columbia and was always in acting studio, but that was a liberal arts degree, not a bachelor of arts degree, so I didn't have a traditional conservatory training. There was a lot of reading and a lot of writing involved, and only about 30 percent of my classes were directly theater-related.
There are a lot of things about playing football that I miss. More than anything, I miss competing. I miss the camaraderie. I miss the locker room and the huddle and those kinds of things.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
I went to a theater arts school, so I'm interested in many different projects, whether it be film, television or even live theater. I'm a performer. That's what I do. That's what I want to do.
If you miss something in the theater, you are working through it; you'll get it tomorrow. It's easy to forgive yourself in the theater. On television, you do one shot. All you've done rehearsal-wise is be blocked. There is all this pressure to get it right then.
I miss theater. I miss living the arc of the character, from curtain to curtain, and I miss the immediate audience response.
Immediate gratification of a live audience makes me come alive. I miss performing in theater. I'll make my return to the stage eventually.
I did enjoy theater. I actually do prefer making films and television, but it was a learning experience for me, because I got into television at 5 and film at 11, and theater was something I completely bypassed.
I did a lot of musical theater when I was younger, and I really hope to get back there someday. I miss singing a lot. I listen to Broadway show tunes in my car and sing along to them.
The fact that I wound up doing television and film was just a thing that happened, but I was trained for the theater, and what goes on in the theater has nothing to do with special effects.
It's interesting to me because theater is, on any given day, 10,000 times harder than film and television. And that's not to say film or television can't be hard or challenging; it's emotional to do the same thing over and over and over. But in terms of stamina, there is nothing like an eight-show week to separate the men from the boys.
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