A Quote by Richard Sammel
I know what it means to sit in that chair for four or five hours. For me, it's actually thrilling because I get to know something that I'm not used to. The others do that every working day. It's a real commitment, not only in terms of acting in front of a camera, but just in order to get there.
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Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.
And then modelling, because it pays you really well and you get to travel, I was forced to get used to the idea of standing in front of a camera and having six or seven people watching me and that actually allowed me to loosen up from an acting point of view.
I can only stand to sit in front of my computer for three or four hours a day. Otherwise it can get really soul-sucking.
Shooting with kids you only have three hours on set per day, so you have to know what you want. You have maybe four or five takes to get a scene.
I relate to what Gov. Romney brings. I know what it means to balance a budget. I know what it means to write a paycheck and not only cash one. I know what it means to create a job, and I know what it means to struggle with my business every day in terms of keeping our doors open any day but definitely in a difficult economy.
I've read something that Bill Gates said about six months ago. He said, ‘I worked really, really hard in my 20s.’ And I know what he means, because I worked really, really hard in my 20s too. Literally, you know, 7 days a week, a lot of hours every day. And it actually is a wonderful thing to do, because you can get a lot done. But you can't do it forever, and you don't want to do it forever, and you have to come up with ways of figuring out what the most important things are and working with other people even more.
I've been in front of the camera a million times as a musician, and even directed a few music videos. So, I know a lot about spacing, focus, blocking, etcetera. So, acting isn't totally new for me. Still, I find it fascinating, because you actually get to be another person.
I'm good in front of the camera in terms of speaking or entertaining or being humorous, but when it comes to dancing, you really got to know your stuff in order to be confident. You can freeze up or get stiff, and it's just not a good situation.
I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is - oh dear! I shall never get to twenty at that rate!
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
The red carpet stuff is brilliant because it's so fun. In terms of exposure, I think it's something that you can never get used to because you don't know what you're being exposed to at all times. You just don't know what to expect.
It wasn't me. I couldn't go on set every day, get my hair curled for hours and sit with all that make-up. It just didn't do it for me. I took a conscious decision to stop working in Bollywood movies at that time.
When I started playing music at East Tennessee State University I would sit on a stool with a tip jar in front of me and play four hours a night at a college bar called Quarterback's Barbecue. I wasn't thinking about doing it for a living. I was just making enough money to go to Taco Bell every day. People were eating chips, drinking beer and not listening to me. I'd had three or four years of people ignoring me, and I'd kind of gotten used to it.
Oh, we're very careful, Marilla. And it's so interesting. Two flashes means, "Are you there?" Three means "yes" and four "no." Five means, "Come over as soon as possible, because I have something important to reveal." Diana has just signalled five flashes, and I'm really suffering to know what it is.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
I get up at 7:30 and work four hours a day. Nine to twelve in the morning, five to six in the evening. Businessmen would achieve better results if they studied human metabolism. No one works well eight hours a day. No one ought to work more than four hours.
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