A Quote by Richard Schmid
Be flexible - the order in which you introduce the elements of a painting should not be a rigid system. What worked last time may not work this time.
Related Quotes
Have no rigid system in you, and you'll be flexible to change with the ever changing.
I have deliberated carefully about which of the terms that are unfamiliar to many of my readers I wanted to take time to introduce and explain, and which terms I would not introduce, despite the fact that I find them useful in my other work, in teaching, or in other activist contexts.
On the geometric level, we see certain physical elements repeated endlessly, combined in an almost endless variety of combinations. It is puzzling to realize that the elements, which seem like elementary building blocks, keep varying, and are different every time that they occur. If the elements are different every time that they occur, evidently then, it cannot be the elements themselves which are repeating in a building or town; these so-called elements cannot be the ultimate "atomic" constituents of space.
The Author of nature has not given laws to the universe, which, like the institutions of men, carry in themselves the elements of their own destruction; he has not permitted in his works any symptom of infancy or of old age, or any sign by which we may estimate either their future or their past duration. He may put an end, as he no doubt gave a beginning, to the present system at some determinate period of time; but we may rest assured, that this great catastrophe will not be brought about by the laws now existing, and that it is not indicated by any thing which we perceive.
When I was painting portraits and - shall we say? - rather allegorical heads, which is the figurative work which immediately preceded the direction I have since gone, these images were always of a very fixed, rigid quality, and, of course, my work still has this aspect.
Painting doesn't freeze time. It circulates and recycles time like a wheel that turns. Those who were first might well be last. Painting is a very slow art. It doesn't travel with the speed of light. That's why dead painters shine so bright.
We have a priori reasons for believing that in every sentence there is some one order of words more effective than any other; and that this order is the one which presents the elements of the proposition in the succession in which they may be most readily put together.
Painting is a slow process; it takes time to get there, you learn little by little and always want the next painting to be better than the last. For me, success is about this, seeing the slow progress in my work.
Some people would ask: 'You are not the one who does the painting, or shot the work, how can it be your work?' But I was the one who chose which site we should use, and which assistant helps me to do the painting, or the shot.
[Filming Payne] that was also the first time I worked with JoBeth Williams, which was also a case of not being the last time!
May it not be asked of every intelligent friend to the liberties of his country, whether the power exercised in such an act as this ought not to produce great and universal alarm? Whether a rigid execution of such an act, in time past, would not have repressed that information and communication among the people which is indispensable to the just exercise of their electoral rights? And whether such an act, if made perpetual, and enforced with rigor, would not, in time to come, either destroy our free system of government, or prepare a convulsion that might prove equally fatal to it?
Work at getting organized like a hobby. Set aside a certain amount of time each day (or whatever time your budget will allow). While it may indeed take a fair amount of time to establish order, once it is achieved, you will save more time than you have ever spent.
Every painting I do is related to the last one: it may be a continuation of a previous painting or it may be a reaction against it.
We are moving towards a world that is reordering itself and that may appear more ordered at some periods of time, but I see no sign that we are moving towards a world order in my definition of it - namely, a system which is accepted, which is internalized by the majority of the key participants.
Architecture exhibits the greatest extent of the difference from nature which may exist in works of art. It involves all the powers of design, and is sculpture and painting inclusively. It shows the greatness of man, and should at the same time teach him humility.
All of a sudden I got a vision of Guernica - Pablo Picasso's painting, which is one of my all-time favorite paintings in the world. I remember reading that it was very controversial at the time - some people said even used the word "childlike drawing" - and all of a sudden I thought, "This is like Guernica in Los Angeles!" And then it all made sense to me. It was all the elements that are the Southland.
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