A Quote by Richard Serra

Play is a necessary ingredient in art because there is a kind of wonder that goes on when you play. You're directing your activity toward a conclusion that isn't prescribed by a particular method.
It needs great art, learning to play with one's own life, to play on one's own life. Meditation is the art to create music from your heart. Meditation is simply the method to transform noise into harmony, the method to shift your consciousness from the head to the heart. The head is noisy, it is all noise - a tale told by an idiot, full of fury and noise, signifying nothing.
I think competition in any kind of activity like music, art, literature - anything that's not done with a timer - is actually impossible. So, in effect, what you're doing is you're entering the lottery. You're hoping that you play well (and that) you play your best on the day that you're heard, and you're hoping that the people who are judging will like what you do.
One thing is to not look at fitness as something that you do at a prescribed time of day in a prescribed room and a prescribed building. You should incorporate physical activity throughout your day.
I find it hard to work with other musicians because I know from experience that when they play, they play with their feeling, and that restricts me because I know I want to play in my own particular way.
Imagination is strong in a man when that particular function of the brain which enables him to observe is roused to activity without any necessary excitement of the sense. Accordingly, we find that imagination is active just in proportion as our sense are not excited by external objects. A long period of solitude, whether in prison or in a sick room; quiet, twilight, darkness-these are the things that promote its activity; and under their influence it comes into play of itself.
And the other was this: the doctor did want to take off my leg because he thought it was necessary. But you must remember boys in those days were raised for two things: work, and then they made their play; and if you couldn't play baseball and box and play football, why, your life was ended. That was in our boyish minds.
Send anyone claiming that their RPG activity is an art form my way, and I'll gladly stick a pin in their head and deflate it just to have the satisfaction of the popping sound that makes. One might play a game artfully, but that makes neither the game nor its play art.
The anarchist conclusion is that every kind of human activity should begin from what from what is local and immediate, should link in a network with no centre and no directing agency, hiving off new cells as the original grows.
Your past history and all of your hurts are no longer here in your physical reality. Don't allow them to be here in your mind, muddying your present moments. Your life is like a play with several acts. Some of the characters who enter have short roles to play, others, much longer. But all are necessary, otherwise they wouldn't be in the play. Embrace them all, and move on to the next act.
It was really interesting to be editing the film [Trust] in New York and directing the play in Chicago, and one definitely informed the other. The play probably benefitted more because I realized what scenes could be cut, and I cut those scenes from the play.
I either play cops or criminals - I'm either on the right side of the law or the wrong side. I gravitate toward edgier material because it suits my nature. I find it fascinating to play. I'm just that kind of person.
I think directing is part play, part work, not just all work, because I think you always have to play. I think that's ultimately why I got into making movies, is because I love to play.
I've always done method acting. I'm a method actor, and I've done that for years. I never did acting and decided to take it seriously because all the parts people want me to do were playing the pretty role. If I want to play someone pretty, I'll play myself.
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
There's not a Sunday that goes past that I'm not excited to play this game. I feel as if I'm a lucky individual to have the opportunity to play this game, and when I do have the opportunity to finally play, you can bet your last dollar I will be excited to play.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
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