A Quote by Richard Serra
I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.
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In the future, I think you are going to want to capture a whole scene, a room, to be able to transport to that. To be able to stream what you are doing live and have people be able to interact in that space.
Culture is an output of a bunch of inputs that have to come together the right way. Specifically, it is the collision of people and their context, how they interact with each other in that context, and then how that context evolves based on those interactions as they multiply.
I didn’t want a completely passive viewer. Art means too much to me. To be able to articulate something visually is really an important thing. I wanted to make work where the viewer wouldn’t walk away; he would giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful
I'm always looking to find order within the chaos. And sometimes when my life gets fairly chaotic, I'll take a walk outside. I think about the order and the perfection of galaxies of planets in orbit and traveling around space and thinking how chaotic the wars and divorces and riots on our planet must look from outer space.
I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.
I want the viewer to be overwhelmed. I want the space to feel like it is caving in on the viewer and that they are forcibly entering the world of my paintings. I want there to be a feeling of overpowering decadence to the work, that is almost too much to take. I don't want them to be subtle.
It is easy to force a reader or viewer to interact. The trick is in making them want to interact, and in letting the story unfold hand-in-hand with that.
That enforced time when you have to switch off, that you're on a plane, is so unusual these days. It's just that thing of not being able to interact with other people through e-mails or social media or whatever. It's crazy how you even notice that you're not able to do that. I find that the kind of traveling - long days, particularly if you go somewhere to do a show, and then traveling again the next day - a lot of people would find pretty challenging, but I find it energizing in a weird way.
I think the thing is there's a work for every space, you always have to respond to a context, whether it be a physical context, or a political one, or a cultural one, whatever.
No one's quite figured out how to make the images come to the viewer. I guess if they put it on a conveyor belt, you could stand in one place like at sushi restaurants. That could be a next generation of museums. Someone should try that. I think ideally you want to have a contemplative space for the viewer. And shuffling around like a chain gang does work against that.
I think if you're able to make the music you want and you can do it in the right kind of context, you don't have to be a circus ringleader to be successful.
By actively thinking about the implications a space has on its inhabitants, we can create great experiences for those who enter. Make Space is an articulate account about the importance of space; how we think about it, build it and thrive in it.
I feel less and less like that every year, and I guess maybe even more so with every new record that I put out. I just think, as the years go by, it's harder and harder to really find a reason to be annoyed that you made something that people want to continuously talk about. Certainly there are contexts in which the record can be discussed which will get me on the defensive and make me want to put some kind of calibration or some kind of context on what the record means in relation to my career as a whole.
I've always been spiritual but I've never had a proper context, and it took me awhile to find the proper context. It's hard to realize you can have any kind of relationship with God you want... and so I now have a punk rock relationship with God.
I've always been spiritual but I've never had a proper context, and it took me awhile to find the proper context. It's hard to realize you can have any kind of relationship with God you want...and so I now have a punk rock relationship with God.
Foucault is one of many who want a new conception of how power and knowledge interact. But he is not looking for a relation between two givens, 'power' and 'knowledge.' As always, he is trying to rethink the entire subject matter, and his 'knowledge' and 'power' are to be something else.
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