A Quote by Richard Shepard
I think people are a mixture of everything. I like desperate characters because they do things that most of us normally wouldn't do. If a character is a scoundrel or a liar you think you know them, but then I can bring some emotion to them and they become much fuller than you ever imagined. So what I try to do is have a story where you don't quite know where it's going, and characters who you don't quite know where they're going.
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There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
Characters are so important to a story that they actually decide where the story is going. When I write, I know my characters. I know how things are going to end, and I know some important incidents along the way.
Well, I think finding the weapons of mass destruction is going to be quite time consuming. I know we've uncovered some documents, we'll have to exploit them, and we're going to have to blanket a country the size of California and search, I think, quite rigorously, but we'll come up with them.
If you think of the people who are funny in your life, you'll note it's not because they tell jokes, it's because of their character. If you develop characters, then you'll know them, and you'll know how they'll speak. The comedy will come out of the character.
I am not agnostic. I am atheist. I don’t think there is no God; I know there’s no God. I know there’s no God the same way I know many other laws in our universe. I know there’s no God and I know most of the world knows that as well. They just won’t admit it because there’s another thing they know. They know they’re going to die and it freaks them out. So most people don’t have the courage to admit there’s no God and they know it. They feel it. They try to suppress it. And if you bring it up they get angry because it freaks them out.
I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.
I know the relationships, and I already know my characters and how I'm going to reveal my characters to my readers - how I'm going to feed them information about that character. That stuff doesn't have to be in my outline.
A lot of writers do think of their characters as living beings. I know that's the way people think. That's why I try to make them real in a certain way, because otherwise people won't read them. It's fine if some readers think of them as real. It's just not the way that I think of them.
I start out giving characters archetypes and parameters. Once I know the basics and have a rudimentary model, it's easier to carve unique curves and edges. It's quite easy to guess how a character is going to react if you know their background, and at a certain point, you realize you understand them personally.
I believe that before anything else I'm a human being -- just as much as you are... or at any rate I shall try to become one. I know quite well that most people would agree with you, Torvald, and that you have warrant for it in books; but I can't be satisfied any longer with what most people say, and with what's in books. I must think things out for myself and try to understand them.
I can tell any liberal why he or she thinks what they think. I can predict to them what their reaction to any event or person is going to be, because I know them, because I have taken the time because I'm curious to study it. I know what liberalism is. I know from where it springs and derives, and I know the vast majority of people who are liberals, what they are going to do, say, and think about.
I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.
I don't know quite how a story develops in my head. It is a bit chaotic. If I am working on a series, one of the main characters at least is already in existence as well as some setting and minor characters. Finding the other main character can be a challenge. Sometimes this character already exists in a minor role in another book.
I think that with 'The Vampire Diaries,' you never know what's going to happen, and I don't think the characters necessarily know, either. So you can only weigh so much, and then it might just come down to 'kill or be killed.'
Well, I don't know anything about television. I'd never done it before. Initially, it was quite daunting to take on so much challenge and so much time with it. I think it is a great outlet for an actress because you really have 13 hours to bring a character to life, which is so much more than with film, and you have the luxury of time to tell a story and to really color a character.
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