A Quote by Richard Sherman
To be painted a villain, you have to do something, I guess, evil or something heinous, and I don't know if I fit that description.
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I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.
I think what's exciting about playing a villain - particularly a villain who's totally unapologetic about their evil intentions - is that it's not anything remotely like what you get to do in real life. You're never allowed to be evil and not feel bad about it afterwards, let alone be evil, period.
When one has once accepted and absorbed Evil, it no longer demands the unfitness of the means. The ulterior motives with which youabsorb and assimilate Evil are not your own but those of Evil.... Evil is whatever distracts. Evil knows of the Good, but Good does not know of Evil. Knowledge of oneself is something only Evil has. One means that Evil has is the dialogue.... One cannot pay Evil in installments--and one always keeps on trying to.
I want to be a villain with steel hands or something. I want to be the crazy, world-domination-obsessed villain. I would love to be a Bond villain.
A lot of actors say that no villain wants to be a villain, generally. They don't might being evil, maybe, but they have an agenda that they can justify. Otherwise, a little bit of that tension goes, if you're just a villain and everyone hates you because you're mean.
It's not evil, Rand. I know something evil when I smell it. This isn't evil, it's just incredibly stupid.
There's a point at which when I start to know a man well--this isn't true of women--I wonder whether there's something in him that's evil. Something that's pure and can't be touched. This quality of evil may be related to the quality of artistry, for an artist has the same characteristics.
You know why I think we still execute people? Because, even if we don't want to say it out loud-for the really heinous crimes, we want to know that there's a really heinous punishment. Simple as that. We want to bring society closer together-huddle and circle our wagons-and that means getting rid of people we think are incapable of learning a moral lesson. I guess the question is: Who gets to identify those people? And what if, God forbid, they got it wrong?
Whether it's music, loss of something, loneliness or friendship - if that emotion is heightened in some way and painted to fit in between the covers of 32 pages, that can become a picture book.
[Toby Jones] is completely different. It's a completely different character. He's the darkest villain we've had. There was always something charming and engaging about Moriarty. There was something fascinating and actually amoral, rather than immoral, about Charles Augustus Magnussen. This guy is the purest evil. Sherlock [Holmes] is actually appalled by him.
When I start creating a villain, I start liking the villain and so the villain is not really evil.
Just as Yama is a villain for evil forces, my character in 'Yaman' is also a villain against those who don't follow dharma.
Capitalism is an evil, and you cannot regulate evil. You have to eliminate it and replace it with something that is good for all people and that something is democracy.
If it's a really well written villain, he probably has more layers than the archetypal good person. So that would be very attractive to an actor. No one chooses to be a villain; it's usually a reaction to something else.
I think a villain who starts his morning looking in the mirror, wringing his hands, and going, 'How can I be evil today?' is not an interesting villain. An interesting villain is a person who you understand on some level, I think.
To be completely honest, it's shocking to me that I keep getting the villain roles! I do not see myself as the villain and I know, growing up, I was the opposite of a villain. I would never try to be a villain to anyone - but maybe other people I grew up with feel differently about that.
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