A Quote by Richard Simmons

Back in the 70s and 80s, women felt the discrimination of being overweight. And now 35% of the letters I receive are from men. — © Richard Simmons
Back in the 70s and 80s, women felt the discrimination of being overweight. And now 35% of the letters I receive are from men.
People who are overweight face discrimination. African-Americans face discrimination. Women face discrimination and sexism. So I don't have the luxury of not being tolerant of anyone.
Is there discrimination against women? Yes, like the old boys' network. And sometimes discrimination against women becomes discrimination against men: in hazardous fields, women suffer fewer hazards.
Growing up in the '70s and '80s, science fiction and especially fantasy had such a stigma attached to them. I felt so punished and exiled for being devoted to these things.
I don't have to come back, because I am still here! And I'm not an '80s thing. I already worked with my first band back in East Germany and that was soooo '70s, young man. I'm a '70s thing. If I'm a thing at all... and an exciting thing.
There are women who are just extraordinary, who are smart and brilliant, sensual women in their 70s and even 80s!
For me, the stamp that I impose on stuff comes from the fact that in the '80s, when I was starting to write movies, I looked back to the '70s. So the films I enjoyed as a kid were the thrillers that came out of the '70s. Back then, you didn't have action movies; you had adventure films or thrillers.
In the '70s and the '80s, what wrestlers were doing back then, yes, they're taking bumps, and they're busting up their bodies and things like that, but now, we got these cages: they're falling off.
I don't want to make generalisations here, but I think that most women and maybe men are not comfortable with being overweight. It's a tricky issue.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
Margaret Atwood, the Canadian novelist, once asked a group of women at a university why they felt threatened by men. The women said they were afraid of being beaten, raped, or killed by men. She then asked a group of men why they felt threatened by women. They said they were afraid women would laugh at them.
When I look at women, older than I am, in their 50s, 60, 70s, 80s, and I see women that I admire, I think, 'Oh, I get it; that's how I'm going to be.' I'm not scared. I want to be that.
The moment artists can just do what they love to do then music will go right back to where it used to be. I mean back in the '60s and '70s and '80s, that's what it was.
It dates back to my dad and my uncles. They all got permits to go to Beverly Hills High School back in the '70s and early '80s. After they finished college, they came back and became football coaches there. So I was there with a permit.
I like being small - I've known so many women with big boobs who feel overweight or end up with back problems.
I don't know why there is a discrimination between women and men entrepreneurs. Those who are doing their job should just be seen as professionals and not women or men.
In the ’70s it was skateboards, in the ’80s it was drugs, in the ’90s it was art, and now it’s my family.
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