A Quote by Richard Simmons

If I've got the right songs, I can weave a spell over everyone. — © Richard Simmons
If I've got the right songs, I can weave a spell over everyone.
Magic comes from what is inside you. It is a part of you. You can't weave together a spell that you don't beleive in.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Everyone has a right to a job, everyone has a right to an education, everyone has a right to health care, everyone has a right to retirement security, everyone has a right to housing, and everyone has a right to peace.
Did you ever spell a word so bad that your spell check has absolutely no clue what you're trying to spell? What do you end up getting, you end up getting, like, a question mark. You got a million dollars of technology just looking back at you like, 'You got me, buddy. Which is pretty amazing because I have all the words.'
With knot of one, the spell's begun. With knot of two, the spell be true. With knot of three, the spell is free. With knot of four, the power is stored. With knot of five, the spell with thrive. With knot of six, this spell I fix.
If I'm a faggot spell it right, I got way more than two G's
Growing up, I had really big hair. Giant hair. As I got older, the goal was to make it smaller - I wanted to look like everyone else. So I got a weave. I would manipulate my hair and try to make it straight.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.
If you can make a little painting for the ears with a few words, well, I like words; I like cutting them up and finding different ways of saying the same thing... I get into a spell, and it all comes easy. I don't labor over it. I go inside the song, I think you make yourself an antenna for songs, and songs want to be around you. And then they bring other songs along, and then they're all sitting around, and they're drinkin' your beer, and they're sleeping on the floor. And they are using the phone, they're rude, thankless little f---ers.
My aim in times to come is not to just work with Muslims but to actually sing songs for everyone and sing songs in which people all over the world can relate to.
I put a spell on people so they don't know they're working out... An enchanting spell, where they just don't think about it, or over think it, and then at the end they go, 'Wow, I feel good.'
I think the most complete performance has to be the spell I bowled in Bangladesh. In Fatullah. That was one heck of a spell. Bowled over a period of two days, maybe a bit more. That was a delight.
I’m a Muslim, we come from a Muslim community and we are very critical of western or American foreign policy. So if I’ve got the right and if other Muslims have got the right to criticize… likewise everyone else has also got the right to criticize everything else.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
I don't think people realize why weaves and the cultural appropriation of black hairstyles are so sensitive. It's deep-rooted. For me, it goes back to high school: I wanted to have the long, flowing hair. So I got a weave. But then I didn't want guys to put their fingers in it - you don't want them to feel your weave.
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