A Quote by Richard Simmons

I have a one of a kind collection of dolls. My house is like a museum. — © Richard Simmons
I have a one of a kind collection of dolls. My house is like a museum.
My favorite places in Moscow are the Pushkin Museum of Fine Art - it has a wonderful collection of Impressionists - the Justo club, and Sandyni Bath, which is the oldest bath house in Moscow.
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
Dolls fire our collective imagination, for better and - too often - for worse. From life-size dolls the same height as the little girls who carry them, to dolls whose long hair can 'grow' longer, to Barbie and her fashionable sisters, dolls do double duty as child's play and the focus of adult art and adult fear.
Cinderella and the prince lived, they say, happily ever after, like two dolls in a museum case never bothered by diapers or dust, never arguing over the timing of an egg, never telling the same story twice.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.
I would like to bring people who have never been to a museum into a museum. And I would like to bring museum goers into libraries. I think there ought to be this cross-fertilization.
You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings. Like it's a collection of your diary entries and you pick which one's gonna make the most sense together and you put out a record and you sort of live it.
I was in a group show at a museum in Torino, a lot of American artists installed in a floor of this museum. Another floor of the museum houses the most refined collection of arte povera in the world, which is perfectly selected and perfectly installed. I remember being struck by the contrast between the Italian works and the American. I would say the hallmarks of the Italian style are a poetical connection to nature and to materiality, materials, and exquisite taste. On contrast, the American work was essentially a bunch of bad-tempered, complaining kids.
I am a museum curator when I am not on the television and in our collection at Kensington Palace we have a book like Marie Antoinette's, which belonged to the daughters of George III.
A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
I grew up with six brothers, and I'm from Chicago, so princesses and Barbie dolls were not around the house. It was more like sports and comic books, so getting to work for Marvel is like my version of being able to be a princess.
A museum has to renew its collection to be alive, but that does not mean we give on important old works.
The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
A walk through the storage facility of the community museum where I worked might easily have convinced you that people in the past wore only wedding dresses, carried silver candlesticks, and played with porcelain dolls.
What you see at the Field Museum is only like, 10 percent of the collection. It's birds of paradise and passenger pigeons and in all these drawers that pull out, these specimens come out and it's spectacular. And it worked out.
Tattoos are a thing I've never really planned out. They just kind of happen spontaneously, on a whim. It's kind of like curating a watch collection, it just kind of happens. I like it to happen organically.
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