A Quote by Richard Simmons

In high school, I could get beaten up all the time, or I could be something better. I became the court jester. — © Richard Simmons
In high school, I could get beaten up all the time, or I could be something better. I became the court jester.
I never felt good enough about myself. I could be better at this, I could be better at that. I could look better. My work could be better. That whole idea that you're going to get caught, you're going to be found out as a fraud. That's one of those reasons I got up at 2:30 in the morning.
Shortridge High School was an elitist high school. In a way it was a scandal because you could go there no matter where you lived, if you could get there. It was for over-achievers. It was for people who were going to college. So we were very special and we were hated for being ritzy.
I could never stand big-mouthed types. I had problems with that at high school. I?ve still got the scars on my fists from the teeth of the guys I hit so that they?d finally shut up. I came from England to Canada, of course, and was often ridiculed because I had a strange accent. I was expelled from school and it was a long time before I could control myself. But the impulse remained: a punch in the mouth to get some peace and quiet.
I was in high school, and I was the guy that always got cast in the school play. Theater is huge in high school in Minnesota, and I knew that I was very good at that, and gifted, and I was 'the guy,' but it still wasn't something I ever thought of as 'a job' or something that one could do professionally.
I grew up in a family in which no male upstream from me had ever finished high school, much less gone to college. But I was taught that even though there was nothing I could do about what was behind me, I could change everything about what was in front of me. My working poor parents told me that I could do better.
I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.
I was in my senior year of high school when I read 'Notes From Underground' by Dostoyevsky, and it was an exhilarating discovery. I hadn't known up until that moment that fiction could be like that. Fiction could say these things, could be unseemly, could be unsettling and distressing in that particular way, that immediate and urgent way.
No one who had never been depressed like me could imagine that the pain could get so bad that death became a star to hitch up to, a fantasy of peace someday which seemed better than any life with all this noise in my head.
I went on the 'Letterman' show the first time to plug something, and then I came back as the Fool, the court jester.
When one gets beaten by somebody better, one has to know how to lose with humility. Sure, I could have served better. Sure, I could have hit my forehand harder. But the truth was this was like an avalanche, and there was no way to stop it.
I got kicked out of high school, went to 3 different high schools and summer school and extra night school just so I could maybe graduate and try to make it up, because I flunked pretty much my entire freshman year, mainly because I just never showed up.
I actually live right near a high school and I always walk by...I live in a high school. I actually live in the boiler room of a high school at night. When I see high school guys now I'm actually like, 'Thank f - king God I'm not in high school anymore because they look like they could kick the living s - t out of me.'
I grew up in a suburb of Baltimore with an extremely high concentration of Jewish families - where the Levys and Cohens in the high school yearbook went on for pages, where I could count far more temples than I ever could churches. Anti-Semitism, in our cultural biodome, was mostly an abstract concept.
Once I got into high school, any time I had to do a talk or a speech, I just loved being up in front of an audience, it was always a character. And then I discovered that an impersonation of the teacher was a really, really good way to get a laugh, and it would also get you good marks, because the teachers were always bored and loved to be the "teacher-parody." So that became my little trick at school, and I became known for doing that.
I wasn't brought up with any religion at all. At school and in my early 20s, I read every religious text I could get my hands on - Buddhist scriptures, Hindu texts, the Qur'an, and the Bible. I wanted to feel like something made sense to me, that there was something sacred I could feel aligned with.
Certainly by the time I was in seventh grade, I knew I had to have a long education if I wanted to become an astronomer, but I figured I'd try it, and if I didn't get far enough, I could always end up teaching in high school or math or physics.
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