A Quote by Richard Strauss

I may not be a first-rate composer, but I am a first-class second-rate composer. — © Richard Strauss
I may not be a first-rate composer, but I am a first-class second-rate composer.
If you go to a second-rate place, and you are first-rate, it is very difficult to do first-rate work because you do not get that critical feedback you need for first-rate work on a daily basis.
I am reading Sienkiewicz. What tormenting reading. What a powerful genius! And there never was such a first-rate writer of the second-rate class.
Shining outward qualities, although they may excite first-rate expectations, are not unusually found to be the companions of second-rate abilities.
I once did something right. I played first-rate basketball. I really did. And after you're first-rate at something, no matter what, it kind of takes the kick out of being second-rate.
The qualities of a second-rate writer can easily be defined, but a first-rate writer can only be experienced. It is just the thing in him which escapes analysis that makes him first-rate.
Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool.
A first-rate soup is more creative than a second-rate painting.
Why become a second-rate Ravel when you're already a first-rate Gershwin?
But no work from a first rate mind is ever really second rate.
First-rate science fiction was, and remains, more interesting than second-rate art.
It's a very obsessive profession that you need to stay obsessed to get anywhere, and it's very easy for us to get obsessed and then nothing else matters. I was reading Somerset Maugham's novella, Moon and Sixpense, about this artist based on Gauguin's life. It was so beautifully written. You must be first rate because second rate you might not survive. If you're an accountant, you'll survive second rate. If you chance it big, you may not get anywhere.
You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel.
First rate mathematicians choose first rate people, but second rate mathematicians choose third rate people.
I knew I'd always be a second-rate academic, and I thought, 'Well, I'd rather be a second-rate novelist or even a third-rate one'.
At the end of the day, I am singing the composer's creation, and I follow the instructions given to me. What I feel may be a right take may not work for the composer or his vision on how he thinks the song should sound.
When I teach writing, I have a mantra: Be a first-rate version of yourself, and not a second-rate version of another writer.
This site uses cookies to ensure you get the best experience. More info...
Got it!