A Quote by Richard Thaler

In a typical 401k plan, when you first become eligible you get a big pile of forms and you're told, fill out these forms if you want to join. Tell us how much amount you've saved and how you want to invest the money. In, under automatic enrollment you get that same pile of forms but the top page says, if you don't fill out these forms, we're going to enroll you anyway and we're going to enroll you at this saving rate and in these investments.
Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms. Well then, think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely.
There are three kinds of forms in the human figure: Ovoid forms - egg, ball and barrel masses; Column forms - cylinder, cone; Spatulate forms - box, slab and wedge blocks.
High school and college students can show shelter residents how to fill out the forms to get their Social Security cards, driver's licenses, and other documents needed for education and employment.
Why work when you can fill out a few forms and get paid for doing nothing?
Basically the problem is that if the intellect is looking at or beholding the forms, what it will get is some kind of representation or image of the forms, but it won't actually have the forms, it won't touch them as it were, or it won't incorporate them.
In my life, I only kept learning different dance forms, yoga forms. From my gurus, I have learned how to be disciplined and consistency. Do a particular thing continuously, you will get the results.
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
I think it's fantastically narcissistic to believe that in the entire universe, with all of the planetary systems that we've already discovered and the countless others that are out there, that we are the only forms of life. Now, the real question is not are there other forms of life out there, but are there other intelligent forms of life out there right now. Because the universe is not only really big but it's also really long. It's been around for a long time; it's going to be around for a long time.
My forms are not abstractions of things in the real world. They're also not symbols. I would say that my job is to invent these forms and to put them together in a way that keeps your interest, to give the forms a quirky identity so you can engage with them, so you realize there's an inner intelligence or logic. If you stop asking what they mean, or what they remind you of, and just look at them for 29 seconds, you find that they want to explain themselves and show you how much every tiniest detail is related to the whole.
I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?
I'm not interested in edges. I'm interested in the mass and color, the black and white. The edges happen because the forms get as quiet as they can be. I want the masses to perform. When I work with forms and colors, I get the edge.
I am not so foolish as to declaim against forms. Forms are as essential as bodies; but to exalt particular forms, to adhere to oneform a moment after it is outgrown, is unreasonable, and it is alien to the spirit of Christ.
I still get excited by the same clothes I did when I first started going to vintage shops. But I think as I get older, I realize how much nicer it is to have 10 great outfits rather than 1000 tops and dresses that are all in a pile I cry in every time I get ready to go out.
The income tax has spawned an intrusive bureaucracy, creating so much complexity and red tape that millions of ordinary citizens have to go get some accountant to fill out the forms for them - and then sign under penalty of perjury that it was done right. If you knew how to do it right, you wouldn't have to go to somebody else to have it done, would you?
The first and the most important thing is to know that life is one and immortal. Only the forms, countless in number, are transient and brittle. The life everlasting is independent of any form but manifests itself in all forms. Life then does not die... but the forms are dissolved.
All forms are complex once you get to a really high level, and jazz and hip-hop are so connected. In hip-hop, you sample, while in jazz, you take Broadway tunes and turn them into something different. They're both forms that repurpose other forms of music.
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