A Quote by Richard Thompson
Over the years, I've had fairly benign record companies who gave me a lot of rope, but in spite of that, there's still restrictions and expectations. It's nice to be at the cottage-industry size, which I think is kind of the business model of the age anyway. It's the way to be. The Internet makes a lot of that possible. Having a loyal fan base is also very useful to keep me operating; people can find your website, and the venues that you're playing at, the merchandise you have for sale, all that kind of stuff. It's great to be able to reach the audience in a more direct way.
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I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
I certainly didn't predict people who spent years actively disliking the band to all of a sudden like the band. That's pretty funny to me, and it makes playing live kind of interesting, 'cos we're doing lots of things that don't really have a lot to do with that record, and even presenting the songs off that record in a way that's a little more muscular and without as much of the sheen, which is what I think part of what people really liked [about Kaputt].
That's one of the reasons I take a lot of consolation in fiction. You have years to work on it. I think that allows you to reach for the best part of your reader instead of a lot of the internet stuff, in which you're kind of reaching for the worst or the most shallow part of your reader.
As for 1994 [ U.S. Open], I didn't do very well, but it was a great occasion for me even though I was not playing the way I had hoped. And it was obviously a very emotional day that last day, but it was a great memory for me and I have had a lot of great memories at Oakmont over the years.
Me and my bandmates grew up with the internet music scene. So we're well versed in how to interact with the online fan base. Obviously MySpace several years back was the main mode of transportation. I found out about so many great bands through the Myspace band of the week feature, it was my goal to be on there. But it's changed a lot. We have a couple social media people helping us out, but for the most part we always oversee our Twitter. We look at a lot of our Facebook stuff. We try and keep in touch with as many people as possible.
It's nice that people can call me an artist and it's nice that I can refer to myself as such, but it also kind of separates me from the common man in a way that I don't wish to be, so craftsperson makes me feel a bit more connected.
I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also different styles and genres. And so, all of these things have influenced me along the way and I take a little bit from everything I do. I've been lucky to work with a lot of great people and learn from them.
I'm a fan of music documentaries and I always love seeing what goes on behind the scenes. In kind of the new era of record companies and record releases and that sort of thing, there has to be way more content for the audience.
I got a lot of great years on WWE TV and I made a lot of money throughout the business. So, if I don't do anything else, I'm good. I can kind of do what I want to, which is a very nice feeling to have.
I found college useful for a lot of other reasons. It exposed me to a great many influences I wouldn't otherwise have encountered, and gave me a lot of time with some very intelligent people whose thoughts are still with me.
People think that, somehow, size makes you uncoordinated or incompetent. There is a lot of size discrimination out there, and I see the difference in the way people treated me when I was 360 pounds versus how they treat me when I'm 290 - from the industry to day-to-day people on the street.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
It took a lot for me to be able to say that I'm a plus-size model or a model at all without feeling terror or this kind of panic, because it was something so unplanned.
I don't think I'm very much like the person I am on the show. I'm certainly not as ambitious; no, that's not true, I'm kind of ambitious. In a nice way. But there's a part of me. A lot of me. There's a lot of what I think is funny.
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