A Quote by Richard Thompson
I like the idea of playing in unison with yourself.
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The reason [drummers] call things "unison", and they sound unison, is because you actually play two different tempos . . . like you're a little sharp, or a little flat; it's so slight that they call it "unison", but it's not unison.
If you had to call it "unison", it ain't unison. It ain't the same as somebody else. If you can hear that it's unison, and you have to name it something other than "unison", it ain't unison, you know what I mean? It's two guys playin', but one guy is playin' slightly out of tune, one is playin' slightly off meter.
I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.
I like playing sport, and I like doing physical stuff. I like hiking and I like climbing and I like playing sport. I do a lot. But I don't like the term 'exercising.' I feel like with sport, you're playing games. But with exercise, you're literally just trying to stop yourself from dying too young. It's weird.
You're never really playing yourself. You're always acting. It's an illusion that you're really playing yourself. The only time I'm playing myself is when I'm at home!
I feel like I have re-created myself on every album. I try to do that. It's like playing a game with yourself, trying to compete with yourself.
The fourth way to get a boy to like you is to be yourself. Now, I am contractually obligated as an adult to give that advice, even though it doesn't work. But yeah, be yourself, even though no one has any idea what it means to be yourself. Like whose self would I otherwise be being?
There's a certain - there's a different pressure with playing in a Ryder Cup. You know, you're not just playing for yourself. You're playing for your teammates. You're playing for your country.
be yourself- not your idea of what you think somebody else's idea of yourself should be.
We all have an idea of what we look like, and then you see a giant picture of yourself and you're like, "Oh my god, wait, that's me?" And it's such a specific version of me, with styling, and art direction... It's like when you hear yourself on a recording, and you go, "That's what I sound like?!" That's how I feel when I see images of me.
I like to start with an idea, but then again, I might be sitting at the keyboard, and just playing a bunch of chords that sound cool together, and something just inspires an idea from that.
You're playing for yourself. And if you're not playing for yourself, you're an entertainer, doing it for the crowd.
I do not like the raw sound of the human voice in unison unless it is under the discipline of music.
Acting was definitely half of what I loved about storytelling and about theater. So, when I get a chance to do a cameo in a show or do a movie, it's a lot of fun and it's always great stepping outside of yourself and either playing a bizarro version of yourself or playing a character.
First of all, directing is an idea that you have of a total flow of images that are going on, which are incidentally actors, words, and objects in space. It's an idea you have of yourself, like the idea you have of your own personality which finds its best representation in the world in terms of specific flows of imaginary images. That's what directing is.
I like the idea of playing a historical detective.
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