A Quote by Richard Whately
It may be worth noticing as a curious circumstance, when persons past forty before they were at all acquainted form together a very close intimacy of friendship. For grafts of old wood to take, there must be a wonderful congeniality between the trees.
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A wound in the friendship of young persons, as in the bark of young trees, may be so grown over as to leave no scar. The case is very different in regard to old persons and old timber. The reason of this may be accountable from the decline of the social passions, and the prevalence of spleen, suspicion, and rancor towards the latter part of life.
We were supposed to grow old together, Dolores. Have kids. Take walks under old trees. I wanted to watch the lines etch themselves into your flesh and know when each and every one of them appeared. Die together.
Because I imagine there must be only a very, very few men in the world, that I should like to marry; and of those few, it is ten to one I may never be acquainted with one; or if I should, it is twenty to one he may not happen to be single, or to take a fancy to me.
I can easily believe it. Women of that class have great opportunities, and if they are intelligent may be well worth listening to. Such varieites of human nature as they are in the habit of witnessing! And it is not merely in its follies, that they are read; for they see it occasionally under every circumstance that can be most interesting or affecting. What instances must pass before them of ardent, disinterested, self-denying attachment, of heroism, fortitude, patience, resignation-- of all the sacrifices that ennoble us most. A sick chamber may often furnish the worth of volumes.
A woman may very well form a friendship with a man, but for this to endure, it must be assisted by a little physical antipathy.
There must be a union between the spirit in wood and the spirit in man. The grain of the wood must relate closely to its function. The abutment of the edge of one board to an adjoining board can mean the success or failure of a piece. () Gradually a form evolves, much as nature produces the tree in the first place. The object created can live forever. The tree lives on in its new form. The object cannot follow a transitory “style”, here for a moment, discarded the next. Its appeal must be universal. Cordial and receptive, it should invite a meeting with man
The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly.
To cement a new friendship, especially between foreigners or persons of a different social world, a spark with which both were secretly charged must fly from person to person, and cut across the accidents of place and time.
People between twenty and forty are not sympathetic. The child has the capacity to do but it can't know. It only knows when it is no longer able to do -after forty. Between twenty and forty the will of the child to do gets stronger, more dangerous, but it has not begun to learn to know yet. Since his capacity to do is forced into channels of evil through environment and pressures, man is strong before he is moral. The world's anguish is caused by people between twenty and forty.
We think the fire eats the wood. We are wrong. The wood reaches out to the flame. The fire licks at what the wood harbors, and the wood gives itself away to that intimacy, the manner in which we and the world meet each new day.
The reason that fish form schools, birds form flocks, and bees form swarms is that they are smarter together than they would be apart. They don't take a vote; they don't take a poll: they form a system. They are all interactive and make a decision together in real time.
The form of my poem rises out of a past that so overwhelms the present with its worth and vision that I'm at a loss to explain my delusion that there exist any real links between that past and a future worthy of it.
Being a Christ follower means being acquainted with sorrow. We must know sorrow to be able to fully appreciate joy. Joy costs pain, but the pain is worth it. After all, the murder had to take place before the resurrection.
And if I say to you that I am glad of everything we have done together, and sorry that we will not be here together in forty years, laughing at a faded photo of you impersonating a lion, it having withered well, you less so, as we stand fabulously old, in a city that understands what spirit it takes to be old, to be beautiful, to be much looked at, to be itself, to be never quite caught, to have a past, to be content, to have seen much, to have remained, to have continued...
Yes, you can feel very alone as a poet and you sometimes think, is it worth it? Is it worth carrying on? But because there were other poets, you became part of a scene. Even though they were very different writers, it made it easier because you were together.
Yes, you can feel very alone as a poet and you sometimes think, is it worth it? Is it worth carrying on? But because there were other poets, you became part of a scene. Even though they were very different writers, it made it easier because you were together
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