A Quote by Richard Widmark

John Ford was so funny that I couldn't wait to go to work in the morning. — © Richard Widmark
John Ford was so funny that I couldn't wait to go to work in the morning.
I prefer the old masters, by which I mean John Ford, John Ford, and John Ford.
I don't like my movies. I prefer John Ford's movies. I've made some movies that are interesting, or that have some point, or are more or less beautiful. But I've never made anything big to me, from my point of view. "Big" like John Ford or someone of that kind. I say John Ford because he is my favorite director.
There are two tests in life, more important than any other test. On Monday morning, when you wake up, do you feel in the pit of your stomach you can't wait to go to work? And when you're ready to go home Friday afternoon, do you say, 'I can't wait to go home?'
I wish I was making movies back in the days when John Ford made movies and you were a director under contract to a studio. John Ford had years when he made three movies in a year.
It's very hard to go to Monument Valley and not think of John Ford's films.
I'm very silly as a person, but quality silliness on-screen has more of an art to it. Harrison Ford, whom I was in Morning Glory with, has mastered that dry funny better than anyone.
I'm very silly as a person, but quality silliness on-screen has more of an art to it. Harrison Ford, whom I was in 'Morning Glory' with, has mastered that dry funny better than anyone.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
Everyday happiness means getting up in the morning, and you can't wait to finish your breakfast. You can't wait to do your exercises. You can't wait to put on your clothes. You can't wait to get out. And you can't wait to come home, because the soup is hot.
Wait, wait, wait, wait. Don't try to write through it, to force it. Many do, but that won't work. Just wait, it will come.
The more film I watch, the more John Ford looks like a giant. His politics aren't so good, and you have to learn to accept John Wayne as an actor, but he's a poet in black and white.
Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.
There's so many players that I love and admire. Joe Satriani, Steve Vai, John Petrucci, Mike Landau, Robben Ford, Lee Ritenour, Jay Graydon, John Scofield, Warren Haynes - the list goes on and on.
Like many people, I only knew of Ford Madox Ford through a book called 'The Good Soldier,' which is everybody's favorite Ford Madox Ford if they have one, but I came to read 'Parade's End' when it was suggested via Damien Timmer of Mammoth Screen.
A friend of mine kept saying, 'You tell all these stories about John, and when you do, you say, 'Wait a minute, I have a photo to go along with that!' How come we never see these photos in a book?' So, I thought maybe it's time to put them out. It would let people see John in that world, through my eyes.
When Richard M. Nixon resigned and Ford became the 38th president of the United States, the Watergate Special Prosecutor's Office, of which I was a member, was preparing for the criminal trials of Nixon's top aides - H.R. Haldeman, John Ehrlichman and John Mitchell.
This site uses cookies to ensure you get the best experience. More info...
Got it!