A Quote by Richard Widmark
A lot of actors said they hated the studio system, but I loved it. It was like a college; it was a great place to learn.
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When I graduated from college, I went straight to work for a federal contractor, a desk job, and they were great to me, they loved me, I was like their mascot, but I just couldn't stand working in an office. I just hated it. And so one day I went in and said, 'I'm sorry, this is my two-weeks notice, I'm quitting to become an artist.'
I'm closer to being happy. I'm doing things that make me happy. In football I loved to practice and I loved to play, but I hated to be in meetings, hated to talk to the media, hated to have cameras in my face, hated to sign autographs. I hated to do all those things.
I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.
I had just finished reading The Day of the Locust when this piece was brought to my attention, and I was like, "How do you create art in the system, the way it is?" Looking around the studio film landscape, there are all of these great superhero movies, which is fantastic, especially for my kids, but it's hard to find real art house films in the studio system, these days.
I hear actors complain about being stereotyped, and a lot of the time, you have yourself to blame. Just don't take the part if you feel like it's a stereotypical part for you. You have control over your life. We don't have the old studio system, where you have to do what they tell you.
Most people aren't raised to be hated. We're all raised to be loved. We want to be loved. We're told to do things to be loved and appreciated and liked. We're raised, don't offend anybody, be nice. Everybody wants total acceptance. Everybody wants respect. Everybody wants to be loved, and so when you learn that what you do is going to engender hatred you have to learn to accept that as a sign of success.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
I loved 'Terminator 2' as a teenager and 'Sound of Music' when I was a kid. I also loved 'Requiem For A Dream' as a college student and 'Mulholland Drive.' And I have loved 'Lincoln' as an adult. They are all the same, as they are all good stories and extraordinary actors.
A lot of people have said 'people should see you work in the studio,' because a lot of people don't realize I'm an actual engineer. I don't walk in and have some guy grab the board. I have my own studio and soldered every wire in the studio.
I love being in the studio. It's really great. I like it a lot. But of course, I like performing more. But when I'm in the studio mode, it's cool. I like to really focus on it.
It doesn't take a lot to get me motivated. I'm a studio rat. When I was in high school and I would walk into a recording studio, it felt like this magical place, this temple, this womb that I could escape into.
It is not hard for me to remember when I was in college. I loved many things about college life: I loved learning. I loved the comradery. And I loved football.
I used to hate my behind, like every other black girl. I hated my behind. I hated my hair. I hated my nose because no one said it was beautiful.
There are a lot of actors that don't like touring and will do just about anything to get out of it, but I loved it. I loved the cities, the people, and the new experiences it offered.
There are a lot of directors out there that don't like to deal with actors, I think. Many of them have said something like, in the future they will actually manipulate the actors on their computers. But don't believe all this.
Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.
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