A Quote by Richard Wilbur
It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; they constitute his ideal audience and his better self.
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The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
A dogmatical spirit inclines a man to be censorious of his neighbors. Every one of his opinions appears to him written, as it were, with sunbeams, and he grows angry that his neighbors do not see it in the same light. He is tempted to disdain his correspondents as men of low and dark understandings because they do not believe what he does.
A gentleman can always be told by the way he speaks to those that he thinks are his inferiors in some respect. His equals he does not wish to offend, his superiors he does not dare to offend, and of those whom he considers his inferiors he would be all the more considerate.
The Latin American has no tribe to fall back on, as the African does, no reliable judiciary to defend his rights as the European does, no social ideal or sacred constitution as the North American does, no pervasive mythology to soften life as it does in Asia, and no even an ideology to subscribe to, as does the Russian or Chinese. Without wealth, what is there left to him but his manhood, to be flaunted and defended at every occasion?
When Heaven is about to confer a great office on a man, it first exercises his mind with suffering, and his sinews and bones with toil ; it exposes his body to hunger, and subjects him to extreme poverty ; it confounds his undertakings. By all these methods it stimulates his mind, hardens his nature, and supplies his incompetencies.
The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.
A man's real faith is never contained in his creed, nor is his creed an article of his faith. The last is never adopted. This it is that permits him to smile ever, and to live even as bravely as he does. And yet he clings anxiously to his creed, as to a straw, thinking that that does him good service because his sheet anchor does not drag.
The fact that labour is external to the worker, i.e., it does not belong to his intrinsic nature; that in his work, therefore he does not affirm himself but denies himself, does not feel content but unhappy, does not develop freely his physical and mental energy but mortifies his body and his mind. The worker therefore only feels himself outside his work, and in his work feels outside himself.
Every really able man, in whatever direction he works - a man of large affairs, an inventor, a statesman, an orator, a poet, a painter - if you talk sincerely with him, considers his work, however much admired, as far short of what it should be. What is this Better, this flying Ideal, but the perpetual promise of his Creator?
Emulation, even in brutes, is sensitively "nervous." See the tremor of the thoroughbred racer before he starts. The dray-horse does not tremble, but he does not emulate. It is not his work to run a race. Says Marcus Antoninus, "It is all one to a stone whether it be thrown upward or downward." Yet the emulation of a man of genius is seldom with his contemporaries, that is, inwardly in his mind, although outwardly in his act it would seem so. The competitors with whom his secret ambition seems to vie are the dead.
Why can't a man stand alone? Must he be burdened by all that he's taught to consider his own? His skin and his station, his kin and his crown, his flag and his nation They just weigh him down
Is there really someone who, searching for a group of wise and sensitive persons to regulate him for his own good, would choose that group of people that constitute the membership of both houses of Congress?
A genius is the man in whom you are least likely to find the power of attending to anything insipid or distasteful in itself. He breaks his engagements, leaves his letters unanswered, neglects his family duties incorrigibly, because he is powerless to turn his attention down and back from those more interesting trains of imagery with which his genius constantly occupies his mind.
I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
There is a certain kind of person who is so dominated by the desire to be loved for himself alone that he has constantly to test those around him by tiresome behavior; what he says and does must be admired, not because it is intrinsically admirable, but because it is his remark, his act. Does not this explain a good deal of avant-garde art?
Obama lost his ability to push his agenda through Congress when he received what he himself called a 'shellacking' in the November 2010 elections. That shellacking was primarily the result of massive policy overreach when he had a Democratic Congress in his pocket.
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