A Quote by Richard Wright

All literature is protest. — © Richard Wright
All literature is protest.
The Gospel of Judas is a kind of protest literature. It's challenging leaders of the church.
No one wants police brutality. No one wants inequality. But what I worry about it is when a protest becomes so large and the noise takes over that the original motivation for the protest and the conversation that should go with that protest gets lost.
Through protest - especially in the 1950s and '60s - we, as a people, touched greatness. Protest, not immigration, was our way into the American Dream. Freedom in this country had always been relative to race, and it was black protest that made freedom an absolute.
I am mindful that the goal of protest is not more protest, but the goal of protest is change.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
There is a right to protest in our country, but at times the manner in which the protest is done breaks all permissible levels. I don't agree with it at all.
You can protest, you can protest peacefully, but keep things civil.
But everyone cannot be there, and that is why photographers go there - to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on - to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference - to protest and by the strength of that protest to make others protest.
You go to a protest, and you've got all these different groups saying things you don't necessarily agree with. If I went to a protest, my placard would have to be very long, explaining the ins and outs of my position.
We are looking at live pictures at this moment of a protest that is happening in Atlanta, Georgia, I believe, that has been assembled by the NAACP in protest, of course, of the shooting of Keith Lamont Scott.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
What has happened to protesters in the past was that, basically, the government in 2012 put an end to a series of mass protests by changing laws, by making it possible to arrest anybody for protests, and by making basically a show of imprisoning not just protest leaders, and not specifically protest leaders, but activists, rank-and-file protest participants. That gets across the idea that anybody who joins a protest without being an organizer, without being a visible leader, risks arrest, and not risks just arrest, but years in a Russian jail.
Well, protest is central to the evolution of black American culture. It was protest that really finally won our freedom for us. Beyond that, it's always interesting to note that it expanded the idea of democracy.
Thousands of Mexicans gathered in Mexico City to protest high food prices. The protest only lasted an hour, because everyone had to leave for their jobs in Los Angeles
There's a temptation not to vote at all as a protest, but it's definitely not a protest. In fact, all it does is keep the people in power in power, and I don't think they should be.
Protest against Industrial Capitalism from one aspect or another is universal: so was the protest against the condition of European religion at the beginning of the sixteenth century.
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