A Quote by Richelle Mead

I unfolded the note, and it took me a few seconds to decipher Adrian’s writing. If he did write me a dating proposal, I really hoped he would type it. — © Richelle Mead
I unfolded the note, and it took me a few seconds to decipher Adrian’s writing. If he did write me a dating proposal, I really hoped he would type it.
It took me a few seconds to draw it, but it took me 34 years to learn how to draw it in a few seconds.
I'm different now, but back then I used to be the type of guy who would say, “I like you. Do you also like me or not? No? Tell me the truth. I'll give you time to think about it!” But now This isn't a lie but I've had 3 girlfriends, and I've dated each of them for 3 years. When it comes to dating, I'm the type who would be with someone for a long time. Before we start dating, I'd keep watching her. It's because I hate being hurt. I tend to give my everything once I date
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
Adrian shook his head, still smiling. "I've said over and over, I'd do anything for you. I just keep hoping it'll be something like, 'Adrian, let's go hot tubbing' or 'Adrian, take me out for fondue.'" "Well, sometimes we have to--did you say fondue?" Sometimes it was impossible to follow Adrian's train of thought. "Why in the world would I ever say that?" He shrugged. "I like fondue.
I'm disappointed in you, Adrian. I'm very disappointed. Reassembling myself was the first trick I learned. It didn't kill Osterman. Did you really think it would kill me? I have walked across the surface of the sun. I have witnessed events so tiny and so fast, they could hardly be said to have occurred at all. But you, Adrian, you're just a man. The world's smartest man poses no more threat to me than does its smartest termite.
You have to relax, write what you write. It sounds easy but it's really, really hard. One of the things it took me longest to learn was to trust the writing process.
Basically what my mom told me - I was extremely shy, I didn't have any girlfriends 'til I was 21 - my mom would see me suffering and tell me, "Just focus on your school, study very hard, and some day you will be successful and you can use all the resources that you have to a dating advantage." Ultimately, I took that advice and turned it into dating sites.
As a youngster, when I started writing and stuff, I did actually write more from other people's perspectives. When I hit 18 and something happened to me that hurt me, I discovered that writing the truth is really therapeutic and amazing.
I've never written anything that I haven't wanted to write again. I want to, and still am, writing 'A Few Good Men' again. I didn't know what I was doing then, and I'm still trying to get it right. I would write 'The Social Network' again if they would let me, I'd write 'Moneyball' again. I would write 'The West Wing' again.
It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.
Adrian tipped my face up toward his and kissed me. Like always, the world around me stopped moving. No, the world became Adrian, only Adrian.
Still, I kept writing. I had no guarantee that I would someday win awards for writing. Heavens, the only person during that time who seemed to think I could write something worth publishing was my loyal husband. But I always remembered the professor from graduate school who urged me to write and who recommended me for that first writing assignment in 1964. When I protested to Sara Little that I didn't want to add another mediocre writer to the world, she gently reminded me that if I didn't dare mediocrity, I would never write anything at all.
I've always loved opera; it never occurred to me that I would write a proper libretto. One of my closest friends is a composer, Paul Moravec, and a few years ago, Paul and I were at lunch, and I said to him, "you really have to write an opera." So, he says very casually to me, "I'll do it if you write the libretto." Well, little did I know that the within a couple of years we would end up getting a commission from the Santa Fe Opera to write an opera together, "The Letter," which turned out to be the most successful commissioned opera in the history of the Santa Fe Opera.
I was going to tweet every three seconds about every thought that went through my mind, and I did that for a few days. It was really fun, and funny to me.
I used to do poetry and write stories and stuff - I never really had anybody standing over my shoulder, like, "What did you write? Let me hear it." I hate that type of stuff.
There are a few songwriters in bands I really relate to that write a certain type of joy, because a lot of artists don't really write joy. It's a thing only a few people do.
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