A Quote by Richelle Mead
Wow. What'd he do to deserve that? Rescue orphans from a burning building? If so, you might want to make sure he didn't set the building on fire in the first place.
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Building a set is like building a place, but it's a temporary place, because sets usually get torn down. Kind of unfortunate.
It's rough to be mugged all the time, to have your place broken into all the time. You can buy a building for very little, but then the building has a fire and you have no money, so you have to fix it all yourself.
I've always said a romance hero can be deeply flawed... as long as he's willing to rush into a burning building to rescue a basket of kittens.
I didn't set fire to the building." "No, but you did pull it into the river." "That put the fire out!
I'm so weird with women. I couldn't go up to a gorgeous woman and tell her the building's on fire. 'Don't take this the wrong way, uh. I don't mean to be weird and I'm not trying to be creepy, but the building's on fire.
I always think of it you know building a business, building a brand, a friend of mine gave me a metaphor for it which I think is really true it's like building coral, you don't see it happening it's just little little little and when you step back you think wow.
The soul is a temple; and God is silently building it by night and by day. Precious thoughts are building it; disinterested love is building it; all-penetrating faith is building it.
Of course building a kitchen makes all the symmetric sense in the world because everybody's burning calories at 120 beats a minute. You could even register it on a graph at the DJ booth. "How fast are they burning calories, sir?" "126 a minute." "Are you sure?" "Oh, I'm very sure." You can meter that out.
There is a kind of virtue that lies not in extraordinary actions, not in saving poor orphans from burning buildings, but in steadfastly working for a world where orphans are not poor and buildings comply with decent fire codes.
Grenfell, the building set on fire with the help of its own face, is a scene of a complex injustice: one that is moral, economic, political, and aesthetic. Not only was the cladding unsafe, it was ugly; not only was it ugly, it was untrue both to the architecture of the building it covered and untrue to its responsibility to human safety.
I think the first time you have to change code you’ve written previously, to add features or remove a bug, you realize that you could have done it better in the first place, that you could have found an architecture that would make it easier to transform and grow the code. And this is terribly seductive—you’re not just building a solution to a problem, you’re potentially building a beautiful solution, with ‘beautiful’ here being defined here by an aesthetics of present and future functionality. This can be a trap.
I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story.
I've never looked at a suburban building as being a minor building and an urban building as being a major building.
Why are people so supportive of him [Osama bin Laden] in many countries? Hes been out in these countries for decades building roads, building schools, building infrastructure, building day care facilities, building health care facilities, and the people are extremely grateful.
My total focus was on building up our military, building up our strength, building up our borders, making sure that China, Japan, Mexico, both at the border and in trade, no longer takes advantage of our country.
But the most amazing, almost miraculous news is that the majority of the building is still intact. Due to one of the most astonishingly intelligent and professional pieces of strategy by the fire services, they succeeded in protecting the vast majority of the building, apparently by forming a human wall of firefighters up the west end of the main staircase and containing the fire.
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