A Quote by Richelle Mead

Juliet had it easy; she never had to kill Romeo. — © Richelle Mead
Juliet had it easy; she never had to kill Romeo.
Yeah? Okay," she said, staring up into the stars. "Let's see. You know how, at the end of Romeo and Juliet, Juliet wakes up in the crypt and Romeo's already dead? He thought she was dead so he killed himself right next to her?" "Yeah. That was awesome." A pause, followed by "Ow," suggested elbow punctuation on the part of Mik. Karou ignored it. "Well, imagine if she woke up and he was still alive, but..." She swallowed, waiting out a tremor in her voice. "But he had killed her whole family. And burned her city. And killed and enslaved her people.
Here is something that Peach, one of the Casserole Queens, says about men and women and love. You know that scene in Romeo and Juliet, where Romeo is standing on the ground looking longingly at Juliet on the balcony above him? One of the most romantic moments in all of literary history? Peach says there's no way that Romeo was standing down there to profess his undying devotion. The truth, Peach says, is that Romeo was just trying to look up Juliet's skirt.
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift - I had to do it. That's how I ended up writing a parallel story to Romeo and Juliet.
I always wanted to be Romeo, not Juliet. Romeo is a much cooler way to be - Juliet's just up in a balcony, waiting.
If Shakespeare had to go on an author tour to promote Romeo and Juliet, he never would have written Macbeth.
What if Shakespeare had had a test audience for Romeo and Juliet or Hamlet?
This Romeo character is something I decided to create, like my alter ego. So the name Romeo was invented from the original Romeo and Juliet. I wanted to show people I'm like a modern Romeo.
When I started dating I had this kind of Romeo and Juliet, fateful, romantic idea about love. It was almost that you were a victim - that there was a lot of pain involved and that was how it should be. Shakespeare said the course of true love never did run smooth and I had a sense it had to be painful. It was such a revelation to realise it shouldn't be that way and you get to choose who you love and who you give your heart to.
I always say to people, 'You know, if Romeo and Juliet got married, nobody would care about them.' Imagine Romeo and Juliet, six kids yelling, 'Mama, Mama, Papa, Papa!'
Romeo wants Juliet as the filings want the magnet; and if no obstacles intervene he moves towards her by as straight a line as they. But Romeo and Juliet, if a wall be built between them, do not remain idiotically pressing their faces against its opposite sides like the magnet and the filings with the card. Romeo soon finds a circuitous way, by scaling the wall or otherwise, of touching Juliet's lips directly. With the filings the path is fixed; whether it reaches the end depends on accidents. With the lover it is the end which is fixed, the path may be modified indefinitely.
When I was 16 years old, I joined a drama group called North Queensland Academy of Dramatic Art under a woman called Maggie Shephard-King. She inspired me to audition for the role of Romeo in 'Romeo and Juliet.'
And what, for instance, would have happened had Romeo and Juliet lived to middle age, their silhouettes broadened by pasta?
They had become a fixed star in the shifting firmament of the high school's relationships, the acknowledged Romeo and Juliet. And she knew with sudden hatefulness that there was one couple like them in every white suburban high school in America.
I love William Shakespeare. He wrote some of the rawest stories. I mean look at Romeo and Juliet. That's some serious ghetto expletive. You got this guy Romeo from the Bloods who falls for Juliet, a female from the Crips, and everybody in both gangs are against them. So they have to sneak out and they end up dead for nothing. Real tragic stuff.
I did a crazy version of 'Romeo and Juliet' once, and I played Romeo.
My first professional role was in 'Romeo and Juliet,' and I played Tybalt, who was Romeo's enemy, in a small production of that in the U.K.
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