A Quote by Richelle Mead

It occurred to me that I was standing face to face with the hero of a love story nearly as dramatic as my own. — © Richelle Mead
It occurred to me that I was standing face to face with the hero of a love story nearly as dramatic as my own.
It occurred to me that there was a story behind the scar -- maybe not as dramatic as the story of my wrists, but a story nonetheless -- and the fact that everyone had a story behind some mark on their inside or outside suddenly exhausted me, the gravity of all those untold pasts.
I like stories where people have to face some big demons internally. It always seems to be an element of horror, because it's pretty scary to have to face yourself and the things you're most worried about: your own abilities and your own capabilities and your own level of competence in being a hero.
Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
I do not believe that I am made of the stuff which constitutes heroes, because, in all of the hundreds of instances that my voluntary acts have placed me face to face with death, I cannot recall a single one where any alternative step to that I took occurred to me until many hours later.
So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
A tragedy is that moment where the hero comes face to face with his true identity.
I'd love to do something that doesn't have my stupid face in front of it. I feel like I've exhausted what I can do with my own face.
We are standing face to face with the barbarians. The enemy is no longer outside but inside the City, and the ruling ideology, paralysed, is incapable of spotting him. It stammers, overcome by its own moral disarmament, and is giving up: this is the time to seize the reins. Present society is an accomplice to the evil that is devouring it.
If I canot know your name, may I light a lamp so I can see your face?' If you sould ever see my face, you will lose me forever.' Why?' Psyche wanted to know. 'Are you ugly? Are you afraid I won't love you if I see your face?' Perhaps I am afraid that if you see my face, it will be THAT that you will love and not me.' I understand, believe me. I know what that feels like.
It's the face itself that I love, not that face at twenty-eight or thirty-four or forty-three. It's that face.
Each religious sect has its own physiognomy. The Methodists have acquired a face; the Quakers, a face; the nuns, a face. An Englishman will pick out a dissenter by his manners.
Here we are standing face to face, isn't this world a crazy place, just when I thought the chance had passed, you go and save the best for last.
O Christ, on you the many-eyed cherubim are unable to look because of the glory of your countenance, yet out of your love you accepted spittle on your face. Remove the shame from my face, and grant me to have an unashamed face before you at the time of prayer.
Both my assistant and my wife tell me that during battle scenes, when a character is making a 'guwaa' sort of face, my face also ends up going 'guwaa.' So afterwards, my whole face is tired. I guess it's because I'm the kind of guy who gets caught up in his own work.
The face you have at age 25 is the face God gave you, but the face you have after 50 is the face you earned.
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