A Quote by Richelle Mead

We can take her. Besides, he deserves someone who doesn't shop at Gap Kids. -Rose to Lissa on Mia and Aaron — © Richelle Mead
We can take her. Besides, he deserves someone who doesn't shop at Gap Kids. -Rose to Lissa on Mia and Aaron
What do you mean it wasn't anything? Didn't the earth move or the planets align or something? -Rose to Lissa on sleeping with Aaron
However, every word she [Richelle Mead] wrote about Lissa in the book I highlighted and analyzed and interpreted until I felt like I’d completely absorbed her [Lissa]. So Richelle gave me insights through the pages of the book. I cried when I found out that she told the producers that I was her dream Lissa. It meant the world to me.
I thought Mia Hansen-Love was a true auteur, and I always wanted to work with her. Mia's empathy for her characters and her ability to use the language of cinema to communicate real human depth is extraordinary. She's a humanist.
I think that's why August [Wilson] named her Rose [in "Fences"]; I really do. She's a rose in her sweetness and her kindness and in everything else, even her anger towards the end.
My mother likes to say that I was conceived to shop - not just born to shop. My whole life as a child was following her and her sister and friends around on her shopping trips.
That was Sydney Sage," said Lissa. "I thought they were all in West Virginia. Why isn't she with Rose?" "That," said Abe darkly, "is an excellent question." "Because they were apparently kidnapping Jill Mastrano in Detroit," said Christian. "Which is weird. But not the craziest thing I can think of Rose doing.
I can assume that the younger generations will no longer know what vinyl was. Maybe some kids will take their CD back to the shop, telling the shop owner they have a faulty disc and if they could please get a new one.
Back to prison. Maybe if you fake a heart attack, I can make a break for it. (Rose Hathaway says to Lissa Dragomir)
If you want to get at African American poverty, the income gap, wealth gap, achievement gap, that the most important thing is to make sure that the society as a whole does right by people who are poor, are working class, are aspiring to a better life for their kids.
In a lot of comedies, they kind of take all the problems away from the women. They give her great clothes, great hair; she almost always owns an artisanal shop, like a cheese shop in Manhattan.
'Gypsy' is the ultimate stage-mother story: Mama Rose is the one who should have been a star; she's the one with the talent. But she chose to have kids and put her dreams into them. The musical shows the power of showbiz and how much it can mean to someone.
The rose is a rose, And was always a rose. But the theory now goes That the apple's a rose, And the pear is, and so's The plum, I suppose. The dear only knows What will next prove a rose. You, of course, are a rose - But were always a rose.
Whitney Houston came in. Someone dared me to do "the Gap act" on her. You know, the Gap act. So I went up to her like I didn't know who she was, and I said, 'Hi, I just wanted to let you know about our sale items and make sure to check out our new colors'. She looked at me like I was crazy.
You have to protect her. The more she uses it, the worse it'll get. Stop her, Rose. Stop her before they notice, before they notice and take her away too. Get her out of here." [...] "Don't let her use the power!. . .Save her. Save her from herself!
dear kiara, The women in the shop told me that yellow rose represents friendship and red rose shows love. And the rosery is the only thing i own that i care for, its yours i'm yours C
Rose had the sort of eyes that manage perfectly well with things close by, but entirely blur out things far away. Because of this even the brightest stars had only appeared as silvery smudges in the darkness. In all her life, Rose had never properly seen a star. Tonight there was a sky full. Rose looked up, and it was like walking into a dark room and someone switching on the universe.
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