A Quote by Richelle Mead

Trey scoffed. "Between you and me, Brayden's probably the last guy in the world you have to worry about. I think he's as clueless as you are. If I didn't care about your virtue so much, I'd actually probably give him a lecture on 'how' to try something." -Trey, pg. 70
I'm not really the most confident guy in the world, but I also don't care too much about what people think about me either. I just try to be honest in what I like and see who likes it.
Actors will always tell you it's more fun playing bad guys. A lot of the time, it's criminals who are the people who don't care. There's something extraordinarily seductive about the guy who doesn't care, and to play that guy is terribly empowering, because you don't have to worry about the consequences of your actions.
I think free throws are harder because you have more time to think about it, and every eye is on you. When it's a trey, you catch and shoot.
If you take care of yourself, 60 is nothing for women these days. In today's world you can be the kind of woman you want to be. Of course, I've aged a bit in the face, but not enough to worry about it. I've common sense enough to know that if I'm nearly 70 something has to give.
I think between the ages of 15 and 32, don't worry about getting married, don't worry about settling down, don't worry about having a baby. Give birth to yourself.
I’m a really big believer that we all have this voice inside of us, and that voice is God talking to us, and we are all magical, and we all have something as specific to do as our fingerprint. And everybody should go out and do that. And I think between the ages of 15 and 32, don’t worry about getting married, don’t worry about settling down, don’t worry about having a baby. Give birth to yourself.
I don't have to worry about what people are thinking and what's going on in the industry. I don't want that stuff to influence what I'm doing. Because I think it stifles you creatively. I don't want to have to care too much about that. All I care about is what the fans think. It's really all I care about, honestly.
I think we have to help the helpless. The clueless? I don't give a rat's ass about the clueless.
Actually, here is something I'm passionate about that, looking around me, seems like the world at large must not care about as much as I do: craft.
God wants your ministry to flow from the realization that you are a beloved child of God. In that place you don’t worry too much about how people see you. You don’t worry too much about whether they’re nice or mean. You don’t even worry about whether they love you or hate you. You don’t worry because you’re simply going to love them and love Him. This comes from knowing who He is and what He thinks of you. This is what it means to grasp you are a child of God.
You give, actually, what you have in your inner world through your emotion and feeling. That's what you can give; it's not so much about "acting" in a sense of playing something that's very different to you.
I think of the medium as a people-to-people medium, not cameraman-to-people, not direction-to-people, not writers-to-people, but people-to-peopleYou can only involve an audience with people. You can't involve them with gimmicks, with sunsets, with hand-held cameras, zoom shots, or anything else. They couldn't care less about those things. But you give them something to worry about, some person they can worry about, and care about, and you've got them, you've got them involved.
I used to worry about money and career and what was going to happen. How was I gonna succeed or fail in the world? And I thought about it enough that I'm no longer worried about it. I'm not... I don't worry about what's gonna happen in my life. I don't worry about telling me about dying, my own mortality. That's a given.
The people who are constantly striving to apply skepticism to everything in their lives, the ones who actually care enough about truth and [care to try to] avoid being wrong, and biased, and prejudiced, and clueless; those are the people we need, and need to be.
Your agent or manager tells you. They go, "You're out. They're gonna get a new guy." But then I didn't feel bad. I didn't take it personally. Not that I'm competitive at all. But you have pride in that, you know? You want your ratings to be good. But now that I'm 62, I don't really care about the ratings. I don't care about the reviews. I care about the work, and I care about the people that I'm working with, and I try to make the experience for them and myself as good as it can be.
I like to be sort of grounded with Fish. But, at the same time, I think probably what's unique about us is the way other dynamics happen, where I'll play off Trey for awhile. When we start playing a jam, I don't usually know what's going to happen, I don't have a plan.
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