A Quote by Richelle Mead

Melbourne, I always knew you'd need to learn about this kind of thing. I 'd just kind of hoped you'd learn it on a real guy. — © Richelle Mead
Melbourne, I always knew you'd need to learn about this kind of thing. I 'd just kind of hoped you'd learn it on a real guy.
In the same way I wanted to learn how to play poker, I've always kind of been into the blues. It just seems like a cool thing, but I didn't know much about it. So I thought, 'Hey, let's really learn about the blues.'
People think that it is important to learn by assisting the great photographers. I say that is a big mistake. Be happy; just learn from any little guy. Learn how to use the camera - you don't need anything else. You can't be taught the real skill anyway.
You learn a lot about America when you own a pit bull. You learn not just who likes your dog; you learn what kind of person likes your dog - and what kind of person fears him.
Every project you're involved in and any character that you're invested in ... you learn a message from that experience. I know that sounds a little cheesy, but it's true. Its kind of funny the parallel that I drew from that, you kind of learn something and you get to apply it to the next thing.
I was kind of reared by television, but the BBC, it still had that thing - and people are always invoking that kind of Reithian idea - where you could learn stuff from it. If you put a kid in front of a telly now to be reared by that you'd just have a jibbering idiot, you know what I mean? Just adverts for a start. It's almost like the programmes are an afterthought, the real business of this channel is to sell you things and we're just going to space out those announcements with some crap to watch.
We will always be attracted to the situation or person that we need, in any given moment, in order to learn whatever lesson that we need to learn. The most important thing is to learn the lesson quickly, let go, and then move on.
That's the really fun thing about writing for series versus just doing a pilot or even doing a feature: you get to live with your actors, and as you learn their voices and they learn your dialog, you're kind of building the characters together.
The most difficult thing has definitely been movies. From a comedian's standpoint, you think being real big is the best thing, but with movies, the screen is huge, you're big anyway! Also, coming from a TV personality - MTV was all about high energy and selling the hottest video - I had to learn to [take it down]. A lot of characters I'm playing are not necessarily that kind of guy.
When you learn to read and write, it opens up opportunities for you to learn so many other things. When you learn to read, you can then read to learn. And it's the same thing with coding. If you learn to code, you can code to learn. Now some of the things you can learn are sort of obvious. You learn more about how computers work.
We just kind saw the images and knew the cliches, so to have the opportunity to go there and learn something about Russian music and about Russian people and to see things apart from being a tourist.
One thing we need to learn from the West is how professional they are about their work. A 7:30 A.M. call time means just that. That's something we need to imbibe from them. And people in the West need to learn from us how we work with our stories.
In the real estate business you learn more about people, and you learn more about community issues, you learn more about life, you learn more about the impact of government, probably than any other profession that I know of.
You can learn from everyone, the president or the cleaner. You need teachers in life, but they're not always school teachers or professors. You learn from ordinary people. You learn from travel, from just walking down the street.
I believe that whenever I want to learn something I can learn it much better and faster by myself if I'm motivated to learn it as opposed to kind of doing it in more a standard, institutionalized way.
To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
You jump on a bike and start peddling. You fall down and you get up again. I've always been a 'learn by doing' kind of guy.
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