A Quote by Richelle Mead

Sydney might not be an expert in personal relationships but puzzles were familiar territory. — © Richelle Mead
Sydney might not be an expert in personal relationships but puzzles were familiar territory.
The trajectory of my writing has moved further and further away from autobiography. My first stories in Confessions of a Falling Woman worked familiar territory - places I had lived, people I knew, my life as an actor in New York - and many were prompted by or grounded in personal experience.
I'm an expert in hookers. I'm an expert in doormats. I'm an expert in victims. They were the best parts. And when I woke up--sociologically, politically, and creatively--I could no longer take those parts and look in the mirror.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
Personal relationship with God is not all just the ceremony and not the religion of doing something because you were told that's what you have to do; it's relationships, it's like we have relationships with our families, with our friends, with our loved ones.
People are doing too much e-mail. The basic thing is eyeball-to-eyeball. Business relationships are made to be personal. The more people get away from it, the more they are going to lose that personal relationship. That's what I learned - to develop personal relationships with people.
Puzzles are great because they're fun. But really we are drawn to puzzles because they can be solved. We love the idea of being able to put a puzzle together and it being complete: you do it perfectly, step away, and you've completed the job. There's a deep satisfaction from that, and I think we wish for the ability to do that with everything. But emotions just don't work that way, people don't work that way, relationships don't work that way.
The war was an escape to reality... The only thing that mattered were human relationships; not money, not position, not even family... Only relationships with people who might be dead tomorrow were important. It is a sort of wonderful state of mind. It's too bad it takes a war to create such a condition among men.
I'm pretty horrible at relationships and haven't been in many long-term ones. Leaving and moving on - returning to a familiar sense of self-reliance and autonomy - is what I know; that feeling is as comfortable and comforting as it might be for a different kind of person to stay.
It is, after all, the responsibility of the expert to operate the familiar and that of the leader to transcend it.
As for 'Bigg Boss,' it's a risky territory, I don't know what would happen if I lose my temper or someone does in the house; or they try to get into personal space. It might sound crazy but I feel I am old fashioned and conventional that way.
I appeared in Pankaj Udhas' 'Ahista' video purely on instinct. I had turned down everything that had come my way till then. After I heard the storyline and the fact that were shooting in Sydney, I agreed. When the song went on air, I was still in Sydney.
You need better relationships between the communities and the police, because in some cases, it's not good.But you look at Dallas, where the relationships were really studied, the relationships were really a beautiful thing, and then five police officers were killed one night very violently.
If you find yourself as a person in unfamiliar territory, you will grasp on to what is already familiar.
If you were making poetry out of convictions - trying to convince other people - you were in the territory of rhetoric, and that wasn't the territory of poetry. I think that's pretty smart. I think that it doesn't need to be altogether true, but that was my starting place.
If you read a story with an 'I' or a 'he' or a 'she,' you're in familiar territory - but 'we' is mostly unexplored. I think of 'we' as an adventure.
Women are like puzzles because prior to 1920 neither had the right to vote. Puzzles still don't.
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