A Quote by Richelle Mead

Do what? Come up with a clever pun referencing Jerome's demonic status? The truth is, I usually keep a stash of them on hand and— — © Richelle Mead
Do what? Come up with a clever pun referencing Jerome's demonic status? The truth is, I usually keep a stash of them on hand and—
I looked at my right hand, the hand with which I painted. There was power in that hand. Power to create and destroy. Power to bring pleasure and pain. Power to amuse and horrify. There was in that hand the demonic and the divine at one and the same time. The demonic and the divine were two aspects of the same force. Creation was demonic and divine. Creativity was demonic and divine. I was demonic and divine.
It is always good policy to tell the truth unless of course you are an exceptionally good liar. Jerome K. Jerome It is a puzzling thing. The truth knocks on the door and you say, go away, I'm looking for the truth. and so it goes away. Puzzling.
You think you’re a very clever fellow, don’t you?” Saldur challenged. “No, Your Grace,” Merrick replied. “Clever is the man who makes a fortune selling dried-up cows, explaining how it saves the farmers the trouble of getting up every morning to milk them. I’m not clever—I’m a genius.
In this respect fundamentalism has demonic traits. It destroys the humble honesty of the search for truth, it splits the conscience of its thoughtful adherents, and it makes them fanatical because they are forced to suppress elements of truth of which they are dimly aware
I admire the abstract expressionists and pop artists so right now I'm referencing American '60s art and at the same time referencing Japanese manga culture.
When the truth is ugly, people try to keep it hidden, because they know if revealed, the damage it will do. So they conceal it within sturdy walls or they place it behind closed doors or they obscure it with clever disguises but truth, no matter how ugly, always emerges. And someone we care about always ends up getting hurt. And someone else will revel in their pain and that's the ugliest truth of all.
Everybody can remember outfits like Celine Dion's backwards Dior tuxedo... these 'worst' dresses become part of pop culture, and we keep referencing them.
And the sculptor woman was so clever in the way she did it. She had the beret just about to leave my hand. So it's attached to this finger and that's what will keep it there. And I'm looking up at it, so there's no question but that that beret is going to fly.
Once the truth is denied to human beings, it is pure illusion to try to set them free. Truth and freedom either go together hand in hand or together they perish in misery.
One of the problems in modern comics is that they keep referencing themselves endlessly.
Keep a copy of 'Islands in the Stream' by Ernest Hemingway on the left hand side of your desk. Keep Fitzgerald's 'The Crack Up' on the right. When you get stuck, pick them up and pretend that they are having a fight, like you used to do with your GI Joes.
I have to tell you, Arty, a screw up this early in the proceedings doesn't exactly fill me with confidence. I hope you're as clever as you keep telling everyone you are." "I never tell anybody exactly how clever I am. They would be too scared.
The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.
On the one hand, philosophy is to keep us thinking about things that we may come to know, and on the other hand to keep us modestly aware of how much that seems like knowledge isn't knowledge
In my early teens, I read every bound volume of the magazine Punch. Every writer of any distinction in the English language, and I mean including America and England, at some time wrote for Punch. Jerome K. Jerome, who wrote Three Men In A Boat, I loved. I was very impressed when I read a piece by Mark Twain in Punch, and realized that despite the fact that they were on different continents, Jerome K. Jerome and Mark Twain had the same kind of laconic, laid-back, "The human race is damn stupid, but quite interesting" attitude. They were almost talking with the same voice.
I seem to be able to get away with pun strips if I add a panel at the end where I somehow indicate that I know it's a bad pun.
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