A Quote by Richelle Mead
The nice thing about a series is you can end on cliffhangers all the time. You can be like, 'You know what? Here we go, this person just died, end of book.' And with the end of the series, you're very conscious of all the plotlines that were left hanging. There's a balance there to wrap those up but still leave it exciting.
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Endings of television shows are sometimes such depressing things. I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end, and we knew it was going to be the end, and sometimes it's just better if a comedy show ends and goes away and they never had a series finale.
For me the Anita series is built like a mystery series, which means that as much as possible each book stands alone, so you have a mystery to solve from the beginning to the end of the book.
I'm calling my book series the 'with God series.' And this next 'with God' book is Friendship with God, which comes out in November. This books challenges us to bring about the end of 'better' on this planet.
Life seems sometimes like nothing more than a series of losses, from beginning to end. That's the given. How you respond to those losses, what you make of what's left, that's the part you have to make up as you go.
I grew up very poor, so I learned how to stretch a dollar. It's nice to combine high-end with low-end or whatever-end you want.
I always designed 'Gravity Falls' to be a finite series about one epic summer-a series with a beginning, middle, and end.
I did a lot of growing up in 2011. Going out on tour was like being thrown into the deep end of the pool, and I was not prepared for what pro life is like. I was still in high school and had a hard time finding balance. But I got some advice from Jack Nicklaus at the end of the year, and he put a lot of things in perspective. He told me that balance is the most important thing in life - and when I start mastering that is when I'm going to be the happiest.
I think finite series gives you more time to write down your journey in any show. When it's a finite series, you know the start and know your end. The writers and actors know what is going to happen, so the interest is not lost.
Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
The exciting thing about today with the Internet, streaming, and YouTube, is you can just go do it. You can go make a short and put it up, and it, very well, may be seen. You can create your own Internet series and just put it out there. It wasn't like that when I was in my 20s. People weren't doing this sort of thing - now they can and they should try it.
We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
Cynicism doesn't have its way in series finales. My emotional desire when I watch a series come to an end is to be crying and laughing and cheering as the final credits roll, feeling like I just got delivered the happy ending, whether the plot ends happily or not.
It was hilarious [last scene with Edward Cullen] considering we'd spent the entire series filming in the most miserable conditions, and then we end on the beach in the Caribbean filming for two days in the sea. That was fun. We literally did the last shot as the sun was coming up in St. Thomas in the Virgin Islands. It was a nice way to end it, because they were considering shooting it in the sea in Vancouver, which would not have worked at all.
I very much use Bill Willingham's approach on 'Fables,' which is that rather than having an end point to a series, I have an end point for the various story lines.
We call for the end of bigotry as we know it. The end of racism as we know it. The end of child abuse in the family as we know it. The end of sexism as we know it. The end of homophobia as we know it. We stand for freedom as we have yet to know it. And we will not be denied.
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