A Quote by Richelle Mead

People have always had a fascination with the supernatural going back to the beginning of time and with vampires in particular. This phenomenon is not new. — © Richelle Mead
People have always had a fascination with the supernatural going back to the beginning of time and with vampires in particular. This phenomenon is not new.
So yes, this is a show about an adolescent girl, her friends, and various vampires. Vampires writing in diaries, vampires attending high school, vampires investigating various mysterious supernatural events, vampires tormenting each other, vampires eavesdropping on each other, and vampires being sarcastic about other vampires' hairstyles. Vampires embracing every possible opportunity to take off their shirts.
I always knew from the beginning that this was the only way to write Then We Came To The End - that it had to be in first - person plural if it was going to illustrate how the individual becomes part of the collective. I had no interest in writing the book in a more conventional voice. It goes back to that fascination I had with telling a story in multiple ways. It was the only choice I gave myself, really - I said "This is it, pal. If you can't tell a story this way, you're going to have to abandon the book. Write it this way or give up."
As a child, I certainly had a fascination with monsters and vampires.
I've always had a fascination with vampires. It's not that I'm exactly fascinated with the dark side. It's the human struggle with it. How we deal with those two aspects of who we are. We all have those elements.
Aaron Spelling was a huge fan of vampires, and everything in that genre. He just really loved the entire subject of vampires and he was really passionate about it. If you really like the idea of this other world and the intricacies of it, because there were a lot of them, and once you're hooked, it's always something that's a fascination to you.
People now have their own particular religion - a denomination of one. I suppose it's a part of the new age phenomenon, but it's much wider than that. On the whole, I would say that is healthy. But I think it was always there, secretly.
Everything is very convenient now and it would be real nice if somehow people started going back to the movie theater. And it's people of my generation. It's their fault in a lot of ways, people over 40. It's their fault that the only movies are about robots and beautiful vampires. It's wild, all vampires are beautiful.
What if all those strange and unexplainable bends in history were the result of supernatural interference? At which point I asked myself, what's the weirdest most eccentric historical phenomenon of them all? Answer:the Great British Empire. Clearly, one tiny little island could only conquer half the known world with supernatural aid. Those absurd Victorian manners and ridiculous fashions were obviously dictated by vampires. And, without a doubt, the British army regimental system functions on werewolf pack dynamics.
I've always had a fascination with hugging (I'm not really particular about who or what it is I'm embracing as long as there's a “squish” factor).
Not going back is fine. Not going back but occasionally visiting might be best. Not going back but remembering so you don’t see the same view twice. Not going back so you can turn a new page, write a new chapter, develop an entire new list. Not going back so you can stretch and grow and see yourself in a light that you never knew existed. Not going back so that you can fly. Fly.
I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
If the universe had a beginning, its beginning, by the very condition of the cases, was supernatural; the laws of Nature cannot account for their own origin.
One of my favourite things to think about is, if you could be invisible and go back in time, where would you go? I've always said ancient Egypt. I would love to see them building the pyramids, and I've always had a real fascination with medieval time and monarchy in medieval times.
I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.
Basically, Urban Fantasy means D&D in New York. Ordinary people have no idea that they share the world with fantastic, supernatural creatures. It can't just be vampires or werewolves; it has to be a whole continuum of fantastic beings, with their own society within society.
I, for instance, regard any particular man as finite, as one who has had a beginning and who will have an end. He has been born, and he is going to die. In the meantime, he has a body that roots him to this time and this place.
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